• Beyonce B'day Deluxe Edition Zip

B'Day (2006)

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• AY, AY, AY
  NOBODY LIKES BEING PLAYED
  BEYONCÉ, BEYONCÉ
  SHAKIRA, SHAKIRA (HEY)

  HE SAID I'M WORTH IT, HIS ONE DESIRE
  I KNOW THINGS ABOUT 'EM THAT YOU WOULDN'T WANNA READ ABOUT
  HE KISSED ME, HIS ONE AND ONLY, (YES) BEAUTIFUL LIAR
  TELL ME HOW YOU TOLERATE THE THINGS THAT YOU JUST FOUND OUT ABOUT

  YOU NEVER KNOW
  WHY ARE WE THE ONES WHO SUFFER
  I HAVE TO LET GO
  HE WON'T BE THE ONE TO CRY

  (AY) LET'S NOT KILL THE KARMA
  (AY) LET'S NOT START A FIGHT
  (AY) IT'S NOT WORTH THE DRAMA
  FOR A BEAUTIFUL LIAR
  CAN'T WE LAUGH ABOUT IT (HA HA HA)
  (OH) IT'S NOT WORTH OUR TIME
  (OH) WE CAN LIVE WITHOUT 'EM
  JUST A BEAUTIFUL LIAR

  I TRUSTED HIM, BUT WHEN I FOLLOWED YOU, I SAW YOU TOGETHER
  I DIDN'T KNOW ABOUT YOU THEN 'TILL I SAW YOU WITH HIM AGAIN
  I WALKED IN ON YOUR LOVE SCENE, SLOW DANCING
  YOU STOLE EVERYTHING, HOW CAN YOU SAY I DID YOU WRONG

  WE’LL NEVER KNOW
  WHEN THE PAIN AND HEARTBREAK'S OVER
  I HAVE TO LET GO
  THE INNOCENCE IS GONE

  (AY) LET'S NOT KILL THE KARMA
  (AY) LET'S NOT START A FIGHT
  (AY) IT'S NOT WORTH THE DRAMA
  FOR A BEAUTIFUL LIAR
  CAN'T WE LAUGH ABOUT IT (HA HA HA)
  (OH) IT'S NOT WORTH OUR TIME
  (OH) WE CAN LIVE WITHOUT 'EM
  JUST A BEAUTIFUL LIAR

  TELL ME HOW TO FORGIVE YOU
  WHEN IT'S ME WHO'S ASHAMED
  AND I WISH COULD FREE YOU
  OF THE HURT AND THE PAIN
  BUT THE ANSWER IS SIMPLE
  HE'S THE ONE TO BLAME

  BEYONCÉ BEYONCÉ
  SHAKIRA SHAKIRA
  BEYONCÉ BEYONCÉ
  SHAKIRA SHAKIRA
  (HEY)

  (AY) LET'S NOT KILL THE KARMA
  (AY) LET'S NOT START A FIGHT
  (AY) IT'S NOT WORTH THE DRAMA
  FOR A BEAUTIFUL LIAR
  CAN'T WE LAUGH ABOUT IT (HA HA HA)
  (OH) IT'S NOT WORTH OUR TIME
  (OH) WE CAN LIVE WITHOUT 'EM
  JUST A BEAUTIFUL LIAR

  Beautiful Liar Credits

  WRITTEN BY BEYONCÉ KNOWLES, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN, AMANDA GHOST AND IAN DENCH. PUBLISHED BY B’DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), SONY ATV MUSIC PUBLISHING (ASCAP), AMANDA GHOST BUCKS MUSIC GROUP LIMITED (ASCAP)

  PRODUCED BY STARGATE FOR DELIRIOUS BLACKSMITH MANAGEMENT AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  A&R BY MAX GOUSSE AND MATHEW KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
  ADDITIONAL PRODUCTION BY SHAKIRA FOR LIGHT PRODUCTIONS AND EDUARDO CABRA
  ARRANGEMENT BY SHAKIRA AND STARGATE
  VOCAL PRODUCTION BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC., RUDY PEREZ, SHAKIRA AND OLGUI CHIRINO
  RECORDING ENGINEERS: JIM CARUANA, STARGATE, GUSTAVO CELIS, ROBERTO ALMODOVAR AND JOHN WESTON
  ASSISTED BY ROB KINELSKI AND DAVID STEARNS
  DIGITAL EDITING (STRINGS): JOHN WESTON
  PROGRAMMING: STARGATE, DENAUN PORTER AND VISITANTE
  VIOLIN ARRANGEMENT: SHAKIRA AND KAREEM ROUSTOM
  ADDITIONAL STRING ARRANGEMENTS: KAREEM ROUSTOM, NASER MUSA
  VIOLIN AND VIOLA: HANNA KHOURY
  NAY: BOUJEMAA RAZGUI
  ARABIC PERCUSSION: OMAR AL MUSFI
  OTHER INSTRUMENTS: MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN
  RECORDED AT SONY MUSIC STUDIOS, NYC; BATTERY STUDIOS, NYC; LA MARIMONDA, NASSAU, BAHAMAS; FUTURA PRODUCTIONS, ROSLINDALE, MA AND THE HIT FACTORY, MIAMI, FL
  MIXED BY JEAN-MARIE HORVAT AT CHALICE STUDIOS, LOS ANGELES, CA; OZ RECORDING STUDIOS, LOS ANGELES, CA; GUSTAVO CELIS AT SUPERSONIC STUDIOS, MIAMI, FL
  ASSISTED BY COLIN MILLER
  MASTERED BY TOM COYNE AT STERLING SOUND, NYC
  

• TO THE LEFT, TO THE LEFT
  TO THE LEFT, TO THE LEFT
  TO THE LEFT, TO THE LEFT

  EVERYTHING YOU OWN IN THE BOX TO THE LEFT
  IN THE CLOSET THAT’S MY STUFF
  YES, IF I BOUGHT IT, PLEASE DON’T TOUCH
  AND KEEP TALKING THAT MESS THAT’S FINE
  BUT COULD YOU WALK AND TALK AT THE SAME TIME
  AND, IT’S MY NAME THAT’S ON THAT JAG
  SO COME MOVE YOUR BAGS, LET ME CALL YOU A CAB

  STANDING IN THE FRONT YARD
  TELLIN’ ME, HOW I’M SUCH A FOOL
  TALKIN’ ‘BOUT, I’LL NEVER EVER FIND A MAN LIKE YOU
  YOU GOT ME TWISTED Download dragon ball af sub indo episode 2.

  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I COULD HAVE ANOTHER YOU IN A MINUTE
  MATTER OF FACT, HE’LL BE HERE IN A MINUTE, BABY
  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I CAN HAVE ANOTHER YOU BY TOMORROW
  SO DON’T YOU EVER FOR A SECOND GET TO THINKING
  YOU’RE IRREPLACEABLE

  SO GO AHEAD AND GET GONE
  CALL UP THAT CHICK AND SEE IF SHE’S HOME
  OOPS, I BET YOU THOUGHT, THAT I DIDN’T KNOW
  WHAT DID YOU THINK I WAS PUTTING YOU OUT FOR
  BECAUSE YOU WAS UNTRUE
  ROLLIN’ HER AROUND IN THE CAR THAT I BOUGHT YOU
  BABY DROP THEM KEYS
  HURRY UP BEFORE YOUR TAXI LEAVES

  STANDING IN THE FRONT YARD
  TELLIN’ ME, HOW I’M SUCH A FOOL
  TALKIN’ BOUT, I’LL NEVER EVER FIND A MAN LIKE YOU
  YOU GOT ME TWISTED

  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I COULD HAVE ANOTHER YOU IN A MINUTE
  MATTER OF FACT, HE’LL BE HERE IN A MINUTE, BABY
  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I CAN HAVE ANOTHER YOU BY TOMORROW
  SO DON’T YOU EVER FOR A SECOND GET TO THINKING
  YOU’RE IRREPLACEABLE

  SO SINCE I’M NOT YOUR EVERYTHING
  HOW ABOUT I’LL BE NOTHING
  NOTHING AT ALL TO YOU
  BABY I WON’T SHED A TEAR FOR YOU
  I WON’T LOSE A WINK OF SLEEP
  ‘CAUSE THE TRUTH OF THE MATTER IS
  REPLACING YOU IS SO EASY

  TO THE LEFT, TO THE LEFT
  TO THE LEFT, TO THE LEFT
  TO THE LEFT, TO THE LEFT
  EVERYTHING YOU OWN IN THE BOX TO THE LEFT
  TO THE LEFT, TO THE LEFT
  DON’T YOU EVER FOR A SECOND GET TO THINKING
  YOU’RE IRREPLACEABLE

  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I COULD HAVE ANOTHER YOU IN A MINUTE
  MATTER OF FACT, HE’LL BE HERE IN A MINUTE, BABY
  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I CAN HAVE ANOTHER YOU BY TOMORROW
  SO DON’T YOU EVER FOR A SECOND GET TO THINKING (BABY)
  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I COULD HAVE ANOTHER U IN A MINUTE
  MATTER OF FACT, HE’LL BE HERE IN A MINUTE
  YOU CAN PACK ALL YOUR BAGS
  WE’RE FINISHED
  ‘CAUSE YOU MADE YOUR BED
  NOW LAY IN IT
  I CAN HAVE ANOTHER YOU BY TOMORROW
  DON’T YOU EVER FOR A SECOND GET TO THINKING
  YOU’RE IRREPLACEABLE

  Irreplaceable Credits

  WRITTEN BY S. SMITH , BEYONCÉ KNOWLES, MIKKEL S. ERIKSEN, TOR ERIK
  HERMANSEN, E. LIND, A. BJØRKLUND
  PUBLISHED BY STELLAR SONGS LTD. ADMIN. BY EMI MUSIC PUBLISHING, BEYONCÉ
  PUBLISHING (ASCAP), SONY ATV MUSIC PUBLISHING, EMI MUSIC PUBLISHING,
  SUPERSAYING (BMI)/ZOMBA MUSIC PUBLISHING, ZOMBA MUSIC PUBLISHING

  PRODUCED BY STARGATE FOR DELIRIOUS BLACKSMITH MANAGEMENT AND BEYONCÉ
  KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
  CO-PRODUCED BY S. SMITH FOR COMPOUND ENT.

  RECORDED BY JIM CARUANA & GEOFF RICE AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI
  MIXED BY JASON GOLDSTEIN FOR CLEARWATER ENTERTAINMENT AT SONY MUSIC
  STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  GUITARS: ESPEN LIND
  ALL OTHER INSTRUMENTS: MIKKEL S. ERIKSEN & TOR ERIK HERMANSEN
  STARGATE MANAGEMENT: TIM BLACKSMITH & DANNY D

  RECORDED BY JIM CARUANA & GEOFF RICE AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC. ASSISTED BY STEVE TOLLE
  GUITARS: ESPEN LIND
  ALL OTHER INSTRUMENTS: MIKKEL S. ERIKSEN AND TOR ERIK HERMANSEN
  STARGATE MANAGEMENT: TIM BLACKSMITH AND DANNY D
  

• GIVE IT TO MAMA
  GIVE IT GIVE IT
  GIVE IT TO MAMA MAMA
  GIVE IT
  GIVE IT TO MAMA MAMA

  FOR SOME STRANGE REASON (HUH)
  YOU DONE PLEASING ME LIKE IT'S OK
  LIKE A PERM THAT'S BEEN LEFT TOO LONG
  IT'S STARTS TO BURN
  THE RESULT IS IT JUST WON'T TAKE
  I CAN SEE
  NOW IT'S ALL COMING SO CLEAR TO ME NOW
  I CAN SEE
  MISINTERPRETED ALL OF MY NAIVENESS
  WAS JUST THINKING IF I HAD NO YOU
  THAN I CAN'T DO
  MY STOCK JUST WENT UP OVER 2 MILLION

  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  GIVE IT TO MAMA

  GO GO GO GO
  GO GO GO GO
  GO GO GO GO
  GO GO RED LIGHT (AH) GREEN LIGHT

  SOME SEE ME SAY I SHOULD BE TROPHIED
  ‘CAUSE IT GETS NO STRONGER
  LADIES Y’ALL KNOW (YEA GIRL Y’ALL KNOW)
  THIS PIMP ISH GETS NO OLDER
  IS THAT A THREAT (WHAT'S ANOTHER THREAT)
  YEP (THAT'S ANOTHER THREAT)
  I'M IMMUNE, YOU CAN'T GET NO COLDER
  YOU GOT THE GREEN LIGHT (WHOA)
  YOU'RE THE KING, RIGHT (WHOA)
  YOU HOLDING UP TRAFFIC
  GREEN MEANS GO

  GO GO GO GO
  GO GO GO GO
  GO GO GO GO
  GO GO RED LIGHT
  I SAID YOU'RE HOLDING UP TRAFFIC, GREEN MEANS GO
  GREEN LIGHT

  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  GIVE IT TO MAMA

  OH NO PROBLEM, YOU CAN GO
  I'M GONNA FIND SOMEBODY ELSE
  IT'S ALRIGHT I'LL MOVE ALONG
  GREEN LIGHT SO YOU CAN
  GO…

  GO GO GO GO
  GO GO GO GO
  GO GO GO GO
  GO GO RED LIGHT (AH) GREEN LIGHT

  I GAVE ALL I COULD GIVE
  MY LOVE, MY HEART (MY HEART)
  NOW WE'RE FACING THE END (THE END) OF WHAT YOU DID FROM THE START
  MY LOVE

  YOU'RE HOLDING UP TRAFFIC, GREEN MEANS GO

  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  GIVE IT TO MAMA

  OH NO PROBLEM, YOU CAN GO
  I'LL GO FIND SOMEBODY ELSE
  IT'S ALRIGHT I'LL MOVE ALONG
  GREEN LIGHT SO YOU CAN
  GO…

  GO GO GO GO
  GO GO GO GO
  GO GO GO GO
  GO GO RED LIGHT (AH) GREEN LIGHT
  

  Green Light Credits

  WRITTEN BY BEYONCÉ KNOWLES, PHARRELL WILLIAMS AND SEAN GARRETT
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), WATERS OF NAZARETH PUBLISHING (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), TEAM S. DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI)

  PRODUCED BY THE NEPTUNES AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI AND ANDREW COLEMAN AT THE RECORD PLANT STUDIOS, LOS ANGELES, CA
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  

• YOU KNOW I HATE SLEEPIN’ ALONE
  BUT YOU SAID THAT YOU WOULD SOON BE HOME
  BUT BABY THAT WAS ALONG TIME AGO
  I’M NOT FEELIN’ IT
  I’M NOT FEELIN’ IT

  ON TOP OF YOU NOT CALLIN ME BACK
  YOU SEE, I BET YOU THINK IT’S ALL ON TRACK
  AND YOU ACTIN’ LIKE ITS ALL OF THAT
  I’M NOT FEELIN’ IT
  I’M NOT FEELIN’ IT

  LET’S GO
  LET’S GO LITTLE KITTY KAT
  I THINK ITS TIME TO GO
  LET’S GO LITTLE KITTY KAT
  HE DON’T WANT NO MORE
  LET’S GO LITTLE KITTY KAT
  QUITE FRANKLY
  NO MORE GETTIN’ IT
  I’M NOT FEELIN IT

  IT’S LIKE WE AT TWO PLACES, BUT DIFFERENT PACES
  WE IN TROUBLE BUT YOU WON’T MEET ME AT THE BRIDGE
  IT HURTS, IT, FEELS DESERTED
  DID YOU FORGET WHERE YOUR HEART LIVES

  WHAT ABOUT MY BODY, BODY
  YOU DON’T WANT MY BODY, BODY
  ACTIN’ LIKE YOU DON’T KNOW NOBODY
  YOU GON’ MAKE ME CALL SOMEBODY
  WHAT ABOUT MY BODY, BODY
  WHAT ABOUT MY BODY, BODY
  YOU WOULD RATHER GO AND PARTY
  SOMEHOW, SOMEWHERE, I’LL BE NAUGHTY

  YOU KNOW I HATE SLEEPIN’ ALONE
  BUT YOU SAID THAT YOU WOULD SOON BE HOME
  BUT BABY THAT WAS A LONG TIME AGO
  I’M NOT FEELIN’ IT, I’M NOT FEELIN’ IT

  ON TOP OF YOU NOT CALLIN’ ME BACK
  YOU SEE, I BET YOU THINK IT’S ALL ON TRACK
  AND YOU ACTIN’ LIKE ITS ALL OF THAT
  I’M NOT FEELIN’ IT, I’M NOT FEELIN’ IT

  LET’S GO
  LET’S GO LITTLE KITTY KAT
  I THINK ITS TIME TO GO
  LET’S GO LITTLE KITTY KAT
  HE DON’T WANT NO MORE
  LET’S GO LITTLE KITTY KAT
  QUITE FRANKLY
  NO MORE GETTIN’ IT
  I’M NOT FEELIN’ IT

  MAKE A LEFT TO COMPASSION
  THE LIGHTS REALLY FLASHING
  KEEP STRAIGHT, AND YOU’LL SEE THE SIGN RIGHT THERE
  AFFECTION, IN THE WRONG DIRECTION
  IF I GET CAUGHT, SEE IT JUST SEEMS THAT YOU DON’T CARE

  WHAT ABOUT MY BODY, BODY
  YOU DON’T WANT MY BODY, BODY
  ACTIN’ LIKE YOU DON’T KNOW NOBODY
  YOU GON’ MAKE ME CALL SOMEBODY
  WHAT ABOUT MY BODY, BODY
  WHAT ABOUT MY BODY, BODY
  YOU WOULD RATHER GO AND PARTY
  SOMEHOW, SOMEWHERE, I’LL BE NAUGHTY

  YOU KNOW I HATE SLEEPIN’ ALONE
  BUT YOU SAID THAT YOU WOULD SOON BE HOME
  BUT BABY THAT WAS A LONG TIME AGO
  I’M NOT FEELIN’ IT, I’M NOT FEELIN’ IT

  ON TOP OF YOU NOT CALLIN’ ME BACK
  YOU SEE I BET YOU THINK IT’S ALL ON TRACK
  AND YOU ACTIN’ LIKE ITS ALL OF THAT
  YOUR SEX AIN’T ALL THAT
  I’M NOT FEELIN’ IT, I’M NOT FEELIN’ IT

  LET’S GO
  LET’S GO LITTLE KITTY KAT
  I THINK ITS TIME TO GO
  LET’S GO LITTLE KITTY KAT
  HE DON’T WANT NO MORE
  LET’S GO LITTLE KITTY KAT
  QUITE FRANKLY
  NO MORE GETTIN’ IT
  I’M NOT FEELIN’ IT

  I’M TAKIN’ BACK THE THINGS I GOT FROM YOU, YOU
  AND THAT INCLUDES MY SWEET LITTLE NOOKIE TOO, TOO
  LET’S GO, LET’S GO, LET’S GO LIL KITTY KAT, (KITTY KAT) HE DON’T WANT YOU ANYMORE (NO)
  LET’S GO, LET’S GO, LET’S GO LIL KITTY KAT, (KITTY KAT) HE DON’T WANT YOU ANYMORE (NO)

  ROCK DIAMONDS ON MY NECK, GOT DIAMONDS ON MY RECORDS
  SINCE SIXTEEN, I WAS COMIN’ DOWN RIDIN’ LEXUS
  HOW YOU GONNA NEGLECT THIS, YOU WAS JUST A HOT MESS
  YOU CAN CALL TYRONE, YOU AIN’T GOTS TO LIE CRAIG

  WHAT ABOUT MY BODY, BODY
  YOU DON’T WANT MY BODY, BODY
  I’M IN THE HOUSE ALL ALONE
  YOU’D RATHER GO AND PARTY
  WHAT ABOUT MY BODY, BODY
  YOU DON’T WANT MY BODY, BODY
  ACTIN’ LIKE I’M NOBODY
  YOU GON’ NEED TO CALL SOMEBODY

  LET’S GO
  LET’S GO LITTLE KITTY KAT
  I THINK ITS TIME TO GO
  LET’S GO LITTLE KITTY KAT
  HE DON’T WANT NO MORE
  LET’S GO LITTLE KITTY KAT
  QUITE FRANKLY
  NO MORE GETTIN’ IT
  I’M NOT FEELIN’ IT
  

  Kitty Kat Credits

  WRITTEN BY BEYONCÉ KNOWLES, PHARRELL WILLIAMS, SHAWN CARTER AND MAKEBA
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), WATERS OF NAZARETH PUBLISHING/EMI BLACKWOOD MUSIC, INC. (BMI)

  PRODUCED BY THE NEPTUNES AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED BY JIM CARUANA AND GEOFF RICE AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI AND ANDREW COLEMAN AT THE RECORD PLANT STUDIOS, LOS ANGELES, CA
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  

• IT AIN’T FOR EVERYBODY (UH)
  WELCOME TO HOLLYWOOD BABY (TAKE A PICTURE)
  UH HUH
  YOU'RE COMING WITH (LET'S NOT EVEN TALK ABOUT IT)
  LET'S DO IT (LET'S GO)

  I SEE YOUR JEALOUSY AS YOU'RE WATCHING
  YOU'RE WATCHING
  IT'S KINDA SEXY TO ME HOW YOU'RE WATCHING
  YOU'RE WATCHING

  I SEE YOUR FACE (I SEE YOUR FACE)
  YOU WANNA TOUCH IT (YOU WANNA TOUCH IT)
  COME TO MY PLACE (COME TO MY PLACE)
  AND LET'S DISCUSS IT (LET'S CHOP IT UP)
  TONIGHT YOU'LL BE
  A SUPERSTAR
  COME LET ME SIGN YOU UP

  LET'S GET INTO IT

  OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
  ACTION (YOU NEED THAT)
  HOLLYWOOD
  OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
  SATISFACTION (YOU NEED THAT)
  HOLLYWOOD

  YOU GOTSTA TO GET IT
  OH OH OH OH
  OH OH OH
  DO YOU WANT IT
  OH OH OH OH
  OH OH OH
  BUT YOU DON'T NEED IT
  OH OH OH OH
  OH OH OH
  WHAT DO YOU DO
  OH OH OH
  WHAT DO YOU DO
  OH OH OH
  HEY

  I SEE YOUR FACE (I SEE YOUR FACE)
  YOU WANNA TOUCH IT (YOU WANNA TOUCH IT)
  COME TO MY PLACE (COME TO MY PLACE)
  AND LET'S DISCUSS IT (LET'S CHOP IT UP)
  TONIGHT YOU'LL BE
  A SUPERSTAR
  COME LET ME SIGN YOU UP

  OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
  ACTION (YOU NEED THAT)
  HOLLYWOOD
  OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
  SATISFACTION (YOU NEED THAT)
  HOLLYWOOD

  COME ON, COME ON, COME ON
  YOU HEAR IT SCREAMING
  OH OH OH OH
  OH OH OH
  CAMERA'S ROLLING
  OH OH OH OH
  OH OH OH
  YOU SO ADDICTIVE
  OH OH OH OH
  OH OH OH
  LIKE HOLLYWOOD (NOTHING LIKE HOLLYWOOD)
  OH OH OH OH
  OH OH OH

  AND EVERYBODY’S WARNING YOU ABOUT IT
  AND ONCE YOU TASTE IT, YOU CAN'T LIVE WITHOUT IT
  NOT 'CAUSE YOU CHOOSE TO NOT LIVE WITHOUT IT
  IT'S NOW A PART OF YOU (IT'S NOW A PART OF YOU)
  AND EVERYBODY’S WARNING YOU ABOUT IT
  AND ONCE YOU TASTE IT, YOU CAN'T LIVE

  OOH IT'S THE LIGHTS (IT'S THE LIGHTS)
  ACTION (ACTION)
  HOLLYWOOD (HOLLYWOOD)
  OOH IT'S THE LIGHTS (SATISFACTION)
  SATISFACTION (SO ADDICTIVE)
  (HEY) HOLLYWOOD

  NOW YOU WANNA BE SEEN
  MALE GROUPIES
  NOW YOU BECOME WHAT YOU ONCE DESPISED
  JAMES DEAN
  DON BELUSHI
  BLOW YOUR WHOLE LIFE
  TRYNA LIVE IN THE LIGHTS
  HEROIN’S FOLLOWING MARILYN
  HOPPIN' OVER THE EDGES
  JUST LIKE JANICE JOPLIN
  RIVER PHOENIX
  JIMI HENDRIX
  JAMIE MORRISON
  ALL OF THEM ENDED BY
  HOLLYWOOD

  I SEE YOUR FACE AND A YOU WANNA TOUCH IT, YEAH
  COME TO MY PLACE AND WE CAN DISCUSS IT

  HOLLYWOOD, WELCOME TO HOLLYWOOD

  Welcome To Hollywood Credits

  WRITTEN BY SHAWN CARTER, R. PERRY, S. SMITH AND BEYONCÉ KNOWLES
  PUBLISHED BY 2006 CARTER BOYS MUSIC (ASCAP), REGGIE PERRY MUSIC (ASCAP), SUPER SAYIN PUBLISHING (BMI). ADMINISTERED BY ZOMBA MUSIC PUBLISHING, B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP

  PRODUCED BY SYIENCE FOR STAYFRESH MUSIC, INC./ROKKWORLD MUSIC GROUP AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED BY GIMEL “YOUNG GURU” KEATON FOR LOREAL INC. AT SONY STUDIOS, NYC
  ASSISTED BY JASON AGEL AND LB FOR MUSIC WORLD PRODUCTIONS, INC. AT ROC THE MIC STUDIOS, NYC
  MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
  MASTERED BY TOM COYNE AT STERLING SOUND, NYC 
  

• YEAH B
  TALK YO’ SHIT (PARTNER LET ME UPGRADE, UPGRADE YOU)
  HOW YOU GONNA UPGRADE ME
  WHAT’S HIGHER THAN NUMBER ONE
  YOU KNOW I USED TO BEAT THAT BLOCK
  NOW I BE’S THE BLOCK

  PARTNER LET ME UPGRADE (UPGRADE)

  I HEAR YOU BE THE BLOCK
  BUT I’M THE LIGHTS THAT KEEP THE STREETS ON
  NOTICE YOU THE TYPE THAT LIKE TO KEEP ‘EM ON A LEASH THOUGH
  I’M KNOWN TO WALK ALONE
  BUT I’M ALONE FOR A REASON
  SENDING ME A DRINK AIN’T APPEASIN’
  BELIEVE ME
  COME HARDER, THIS WON’T BE EASY
  DON’T DOUBT YOURSELF, TRUST ME YOU NEED ME
  THIS AIN’T NO SHOULDER WITH A CHIP OR A EGO
  WHAT YOU THINK THEY ALL MAD AT ME FOR

  YOU NEED A REAL WOMAN IN YOUR LIFE
  THAT’S A GOOD LOOK
  TAKING CARE, HOME IS STILL FLY
  THAT’S A GOOD LOOK
  I’M-A HELP YOU BUILD UP YOUR ACCOUNT
  THAT’S A GOOD LOOK
  BETTER YET A HOOD LOOK (BELIEVE ME)
  LADIES THAT’S A GOOD LOOK
  WHEN YOU IN THEM BIG MEETINGS FOR THE MILLS
  TAKE ME JUST TO COMPLIMENT THE DEAL
  THAT’S A GOOD LOOK
  ANYTHING YOU COP I’LL SPLIT THE BILL
  THAT’S A GOOD LOOK
  BETTER YET A HOOD LOOK (BELIEVE ME)
  LADIES THAT’S A GOOD LOOK

  PARTNER LET ME UPGRADE YA
  AUDEMARS PIGUET YA
  SWITCH YOUR NECKTIES TO PURPLE LABELS
  UPGRADE YA
  I CAN UP, CAN I UP
  LET ME UPGRADE YA
  PARTNER LET ME UPGRADE YOU

  PARTNER LET ME UPGRADE YA
  FLIP A NEW PAGE
  INTRODUCE YOU TO SOME NEW THINGS AND
  UPGRADE YA
  I CAN UP, CAN I UP
  LET ME UPGRADE YA
  PARTNER LET ME UPGRADE YOU
  I CAN DO FOR YOU WHAT MARTIN DID FOR THE PEOPLE
  RAN BY THE MEN, BUT THE WOMEN KEEP THE TEMPO
  IT’S VERY SELDOM THAT YOU’RE BLESSED TO FIND YOUR EQUAL
  STILL PLAY MY PART AND LET YOU TAKE THE LEAD ROLE, BELIEVE ME
  I’LL FOLLOW, THIS COULD BE EASY
  I’LL BE THE HELP WHENEVER YOU NEED ME
  I SEE YOU ON YOUR HUSTLE, WITH MY HUSTLE I CAN KEEP YOU
  FOCUSED ON YOUR FOCUS, I CAN FEED YOU

  YOU NEED A REAL WOMAN IN YOUR LIFE
  THAT’S A GOOD LOOK
  TAKING CARE, HOME IS STILL FLY
  THAT’S A GOOD LOOK
  I CAN HELP YOU BUILD UP YOUR ACCOUNT
  THAT’S A GOOD LOOK
  BETTER YET A HOOD LOOK
  LADIES THAT’S A GOOD LOOK
  WHEN YOU IN THE BIG MEETINGS FOR THE MILLS
  TAKE ME JUST TO COMPLIMENT THE DEAL
  THAT’S A GOOD LOOK
  ANYTHING YOU COP, I’LL SPLIT THE BILL
  THAT’S A GOOD LOOK
  BETTER YET A HOOD LOOK
  LADIES THAT’S A GOOD LOOK
  BELIEVE ME I CAN UPGRADE YOU

  PARTNER LET ME UPGRADE YA
  AUDEMARS PIGUET
  YOU SWITCH YOUR NECKTIES TO PURPLE LABELS
  UPGRADE YA
  I CAN UP, CAN I UP
  LET ME UPGRADE YA
  PARTNER LET ME UPGRADE YOU

  PARTNER LET ME UPGRADE YA
  FLIP A NEW PAGE, INTRODUCE YOU TO SOME NEW THINGS AND
  UPGRADE YA
  I CAN UP, CAN I UP
  LET ME UPGRADE YA
  PARTNER LET ME UPGRADE YOU

  I BE’S THE D BOY WHO INFILTRATED ALL THE CORPORATE DUDES
  THEY CALL SHOTS, I CALL AUDIBLES
  JACOB THE JEWELER BAUBLES
  LORRAINE SCHWARTZ SORTA DUDE
  IT’S BIG BALLIN’ BABY WHEN I’M COURTIN’ YOU
  I’M TALKIN’ SPA BAGS AND FLY PADS AND
  ROOMS AT THE BLOOMBERG
  AND RUMORS YOU ON THE VERGE OF A NEW MARRIAGE
  ‘CAUSE THAT ROCK ON YA FINGER’S LIKE A TUMOR
  YOU CAN’T FIT YA HAND IN YA NEW PURSE
  IT’S HUMOROUS TO ME THEY WATCHIN’ AND WE JUST YATCHIN’
  ISLAND HOPPING OFF THE ALMAFI COAST
  MAFIOSO, OH BABY YOU EVER SEEN SATURN
  NO, NOT THE CAR BUT EVERYWHERE WE ARE
  YOU SURE TO SEE STARS, THIS IS HIGH LEVEL, NOT EYE LEVEL
  MY BEZEL, COURTESY OF AUDEMARS
  I ORDER YOURS TOMORROW
  NOW LOOK AT THE TIME I SAVED YA
  MAMA LET ME UPGRADE YA
  JUST WHEN YOU THINK YOU HAD IT ALL
  BIG ENDS, CONDOS, COLLECTING CARS
  PICTURE YOUR LIFE ELEVATED WITH ME
  YOU MY PROJECT CELEBRITY
  I KEEP YA NAME HOT IN THOSE STREETS
  THAT LITTLE GLIMPSE OF LIFE
  THAT MAKES THAT DIAMOND REALLY SHINE
  AND YOU ALREADY IS A STAR
  UNLESS YOU’RE FLAWLESS
  THEN YA DYNASTY WITHOUT A CHIEF LIKE ME

  PARTNER LET ME UPGRADE YA
  BOTTOM OF THE PAGE
  YOU SWITCH YOUR NECKTIES TO PURPLE LABELS
  UPGRADE YA
  I CAN UP, CAN I UP
  LET ME UPGRADE YA
  PARTNER LET ME UPGRADE YOU

  PARTNER LET ME UPGRADE YA
  FLIP A NEW PAGE
  INTRODUCE YOU TO SOME NEW THINGS AND
  UPGRADE YA
  I CAN UP, CAN I UP
  LET ME UPGRADE YA
  PARTNER LET ME UPGRADE YOU

  AUDEMARS PIGUET WATCH
  DIMPLES IN YA NECK TIE
  HERMES BRIEFCASE
  CARTIER TOP CLIPS
  SILK LINED BLAZERS
  DIAMOND CREAMED FACIALS
  VVS CUFF LINKS
  6 STAR PENT SUITES
  PARTNER LET ME UPGRADE YA, GRADE YA
  PARTNER, PARTNER LET ME UPGRADE YA, GRADE YA
  LET ME, LET ME, LET ME UPGRADE YA, GRADE YA
  PARTNER, PARTNER, PARTNER LET ME UPGRADE YA
  

  Upgrade U Credits

  WRITTEN BY BEYONCÉ KNOWLES, SOLANGE KNOWLES, MK, MAKEBA, SEAN GARRETT, ANGELA BEYINCE, JAY-Z, WILLIE CLARKE AND CLARENCE REID
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), SOLANGE MWP PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC/MUSIC WORLD PUBLISHING (ASCAP), MAKEBA YOGA FLAMES MUSIC (BMI), JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI), ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), CARTER BOYS PUBLISHING (ASCAP) EMI LONGITUDE MUSIC (BMI)

  PRODUCED BY CAMERON WALLACE FOR BACK BLOCK PRODUCTIONS AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
  ADDITIONAL PRODUCTION BY KASSEEM “SWIZZ BEATZ” DEAN FOR SWIZZ BEATZ PRODUCTIONS, INC.

  RAP PERFORMED BY JAY-Z
  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  CONTAINS SAMPLES FROM THE COMPOSITION “GIRLS CAN’T DO WHAT THE GUYS DO” WRITTEN BY WILLIE CLARKE AND CLARENCE REID
  FEATURING SAMPLES FROM THE BETTY WRIGHT RECORDING “GIRLS CAN’T DO WHAT THE GUYS DO (AND STILL BE A LADY)” PRODUCED UNDER LICENSE FROM ATLANTIC RECORDING CORP. BY ARRANGEMENT WITH RHINO ENTERTAINMENT, A WARNER MUSIC GROUP COMPANY 
  

• I'M A TRAIN WRECK IN THE MORNING
  I'M A BITCH IN THE AFTERNOON
  EVERY NOW AND THEN WITHOUT WARNING
  I CAN BE REALLY MEAN TOWARDS YOU

  I'M A PUZZLE YES IN DEED
  EVER COMPLEX IN EVERY WAY
  AND ALL THE PIECES AREN'T EVEN IN THE BOX
  AND YET, YOU SEE THE PICTURE CLEAR AS DAY

  I DON'T KNOW WHY YOU LOVE ME
  AND THAT'S WHY I LOVE YOU
  CATCH ME WHEN I FALL
  ACCEPT ME FLAWS AND ALL
  AND THAT'S WHY I LOVE YOU
  AND THAT'S WHY I LOVE YOU
  AND THAT'S WHY I LOVE YOU

  I NEGLECT YOU WHEN I'M WORKING
  WHEN I NEED ATTENTION, I TEND TO NAG
  I'M A HOST OF IMPERFECTION
  AND YOU SEE PAST ALL THAT
  I'M A PEASANT BY SOME STANDARDS
  BUT IN YOUR EYES, I'M A QUEEN
  YOU SEE POTENTIAL IN ALL MY FLAWS
  AND THAT'S EXACTLY WHAT I MEAN

  I DON'T KNOW WHY YOU LOVE ME
  AND THAT'S WHY I LOVE YOU
  YOU CATCH ME WHEN I FALL
  ACCEPT ME FLAWS AND ALL
  AND THAT'S WHY I LOVE YOU
  AND THAT'S WHY I LOVE YOU
  AND THAT'S WHY I LOVE YOU

  I DON'T KNOW WHY YOU LOVE ME
  AND THAT'S WHY I LOVE YOU
  CATCH ME WHEN I FALL
  ACCEPT ME FLAWS AND ALL
  AND THAT'S WHY I LOVE YOU
  AND THAT'S WHY I LOVE YOU
  AND THAT'S WHY I LOVE YOU
  

  Flaws and All Credits

  WRITTEN BY S. SMITH, S. TAYLOR, BEYONCÉ KNOWLES AND SOLANGE KNOWLES
  PUBLISHED BY N 22ND PUBLISHING, CHERRY LANE PUB. (ASCAP)SUPER SAYIN/ZOMBA MUSIC PUBLISHING (BMI), B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/SOLANGE MW PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC.

  PRODUCED BY SHEA TAYLOR FOR STADIUM PRODUCTIONS LLC/COMPOUND ENTERTAINMENT LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
  CO-PRODUCED BY NE-YO FOR COMPOUND ENTERTAINMENT LLC.

  RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT “LB” DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
  MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
  DIGITAL PREP ENGINEER: COLIN MILLER
  MASTERED BY TOM COYNE AT STERLING SOUND, NYC
  

• World Wide Woman Credits

• 9 – 4 – 8 – 1
  B'DAY

  MISSION ONE
  I'M-A PUT THIS ON
  WHEN HE SEE ME IN THE DRESS, I'M-A GET ME SOME (HEY)

  MISSION TWO
  GOTTA MAKE THAT CALL
  TELL HIM GET THE BOTTLES POPPIN' WHEN THEY PLAY MY SONG (HEY)

  MISSION THREE
  GOT MY THREE BEST FRIENDS
  LIKE WE DO IT ALL THE TIME, WE GON’ DO IT AGAIN (HEY)

  MISSION FOUR
  GOT THE VINTAGE ROLLS
  DROP A COUPLE HUNDREDS, TELL HIM LEAVE IT AT THE DOOR

  I AIN'T WORRIED DOING ME TONIGHT
  A LITTLE SWEAT AIN'T NEVER HURT NOBODY
  WHILE Y’ALL STANDIN' ON THE WALL
  I'M THE ONE TONIGHT
  GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED
  WANT MY BODY
  WON'T YOU GET ME BODIED
  YOU WANT MY BODY
  WON'T YOU GET ME BODIED (HEY)

  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  WON'T YOU SING MY BODY
  I WANT TO LET IT OUT TONIGHT
  WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

  MISSION FIVE
  SKIP TO THE FRONT OF THE LINE
  LET ME FIX MY HAIR UP 'FORE I GO INSIDE (HEY)

  MISSION SIX
  GOTTA CHECK THESE CHICKS
  'CAUSE YOU KNOW THEY GONE BLOCK WHEN I TAKE THESE FLICKS (HEY)

  MISSION SEVEN
  GOTTA MAKE MY ROUNDS
  GIVEN EYES TO THE GUYS NOW I THINK I FOUND HIM (HEY)
  MISSION EIGHT
  NOW WE CONVERSATIN’
  WE CAN SKIP SMALL TALK, LET'S GET RIGHT TO THE CHASE (HEY)

  I AIN'T WORRIED DOING ME TONIGHT
  A LITTLE SWEAT AIN'T NEVER HURT NOBODY
  WHILE Y’ALL STANDIN' ON THE WALL
  I'M THE ONE TONIGHT
  GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED
  WANT MY BODY
  WON'T YOU GET ME BODIED
  YOU WANT MY BODY
  WON'T YOU GET ME BODIED (HEY)

  YOU SHOULD SEE MY BODY
  I GOTTA KNOW ENOUGH TO KNOW IF YOU CAN GET ME BODIED
  I'M KINDA TIGHT, I'M FEELING RIGHT ENOUGH TO SEE SOMEBODY
  I WANNA LET IT OUT TONIGHT
  WANNA DANCE, WANNA PARTY, WANNA BE MYSELF TONIGHT

  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  WON'T YOU SING MY BODY
  I WANT TO LET IT OUT TONIGHT
  WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

  BABY ALL I WANT IS TO LET IT GO
  AIN'T NO WORRIES, OH
  WE CAN DANCE ALL NIGHT
  GET ME BODIED
  THAT MEANS COME CLOSER TO ME
  WHILE WE GRIND TO THE BEAT
  AND YOUR BODY'S TOUCHING MY BODY
  ALL I NEED IS TO LET IT BE
  AIN'T NO WORRY, NO
  BOY DANCE WITH ME
  FEEL MY BODY
  STOP JUST COME CLOSER TO ME
  WHILE WE GRIND TO THE BEAT
  WITH YOUR BODY TOUCHING MY BODY

  GETTIN’ BODIED
  AIN'T NO SHAME 'CAUSE I GOTTA GET MINE
  I SWING MY HAIR, KICK OFF MY SHOES
  COME HER BOY LET ME WORK ON YOU

  I AIN'T WORRIED DOING ME TONIGHT
  A LITTLE SWEAT AIN'T NEVER HURT NOBODY
  WHILE Y’ALL STANDIN' ON THE WALL
  I'M THE ONE TONIGHT
  GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED
  WANT MY BODY
  WON'T YOU GET ME BODIED
  YOU WANT MY BODY
  WON'T YOU GET ME BODIED (HEY)

  LADIES ON THE FLOOR, ALL MY LADIES ON THE FLOOR
  IF YOU READY, GET IT READY
  LETS GET IT AND DROP IT
  DROP DOWN LOW AND SWEEP THE FLOOR WIT’ IT
  DROP DROP DOWN LOW AND SWEEP THE FLOOR WIT’ IT
  DROP DOWN LOW AND SWEEP THE FLOOR WIT’ IT
  DROP DROP DOWN LOW AND SWEEP THE FLOOR WIT’ IT
  DO THE UH OH, DO THE UH OH, DO THE UH OH UH OH UH OH OH NO NO
  UH OH DO THE UH OH DO THE UH OH UH OH UH OH OH NO NO
  PAT YOUR WEAVES LADIES
  PAT PAT PAT YOUR WEAVES LADIES
  WATCH IT WHILE HE CHECK UP ON IT
  PAT YOUR WEAVES LADIES
  PAT PAT YOUR WEAVES LADIES
  WATCH IT WHILE HE CHECK UP ON IT
  TICK TICK TICK TICK FIGHT
  NOW TICK TICK TICK TICK TICK TICK FIGHT
  NOW TICK TICK TICK TICK FIGHT
  NOW TICK TICK TICK TICK TICK TICK FIGHT
  NOW POSE FOR THE CAMERA NOW, FLICK FLICK
  POSE FOR THE CAMERA NOW, FLICK FLICK
  POSE FOR THE CAMERA NOW FLICK FLICK
  POSE FOR THE CAMERA NOW FLICK FLICK
  DO AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, DO AN OLD SCHOOL
  DO AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, GET OLD SCHOOL
  STOP NOW, COOL OFF, COOL OFF, COOL OFF, COOL OFF
  DROP AND COOL OFF, COOL OFF, COOL OFF, COOL OFF
  WIND IT BACK GIRL, WIND IT BACK GIRL, MAKE YOUR HAIR TOUCH THE FLOOR, WIND IT BACK
  WIND IT BACK GIRL, WIND IT BACK GIRL, MAKE YOUR HAIR TOUCH THE FLOOR, WIND IT BACK
  DROP TO YOUR KNEES, ARCH YOUR BACK GIRL, SHAKE SHAKE IT LIKE THAT ALLEY CAT
  DROP DROP TO YOUR KNEES, ARCH YOUR BACK GIRL, SHAKE SHAKE IT LIKE THAT ALLEY CAT
  SHAKE YA DERRIERE IN THEM DERÉON’S
  SHAKE SHAKE YA DERRIERE IN THEM HOUSE OF DERÉON
  SHAKE YA DERRIERE IN THEM DERÉON’S
  SHAKE SHAKE YA DERRIERE IN THEM HOUSE OF DERÉON
  DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
  DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
  DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
  DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
  DO THE NAOMI CAMPBELL WALK, NAOMI CAMPBELL WALK
  WALK ACROSS THE ROOM LIKE NAOMI CAMPBELL
  DO THE NAOMI CAMPBELL WALK, NAOMI CAMPBELL WALK
  WALK ACROSS THE ROOM LIKE NAOMI CAMPBELL
  SNAP FOR THE KIDS, SNAP FOR THE KIDS
  SNAP IN A CIRCLE THREE TIMES
  SNAP FOR THE KIDS, SNAP FOR THE KIDS
  SNAP IN A CIRCLE THREE TIMES
  I TOUCH YA BODY, WHILE YA TOUCH MY BODY
  WE TOUCHIN’ BODIES TONIGHT
  WE GETTIN’ BODIED
  I TOUCH YA BODY, WHILE YA TOUCH MY BODY
  WE TOUCHIN’ BODIES TONIGHT
  WE GETTIN’ BODIED
  GETTIN’ BODIED (GETTIN’ BODIED)
  GETTIN’ BODIED (GETTIN’ BODIED)
  GETTIN’ BODIED (I’M THE ONLY ONE TONIGHT)
  GETTIN’ BODIED (GETTIN’ BODIED)
  WANT MY BODY (GET ME BODY)
  WON’T YA GET ME BODY (GET ME BODY)
  YOU WANT MY BODY (I’M THE ONLY ONE TONIGHT)
  WON’T YA GET ME BODIED (GET ME BODIED)
  HEY

  Get Me Bodied (Extended Mix) Credits

  WRITTEN BY S. SMITH, S. TAYLOR, BEYONCÉ KNOWLES AND SOLANGE KNOWLES
  PUBLISHED BY N 22ND PUBLISHING, CHERRY LANE PUB. (ASCAP)SUPER SAYIN/ZOMBA MUSIC PUBLISHING (BMI), B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/SOLANGE MW PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC.

  PRODUCED BY SHEA TAYLOR FOR STADIUM PRODUCTIONS LLC/COMPOUND ENTERTAINMENT LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
  CO-PRODUCED BY NE-YO FOR COMPOUND ENTERTAINMENT LLC.

  RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT “LB” DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
  MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
  DIGITAL PREP ENGINEER: COLIN MILLER
  MASTERED BY TOM COYNE AT STERLING SOUND, NYC
  

• If Credits

• TO BE OR NOT TO BE
  NOT
  HOLD UP
  BRING THE BEAT BACK
  STOP, I AIN’T READY YET
  WAIT, LET ME FIX MY HAIR (YES, YES)
  YES MA’AM (YES MA’AM)
  YES

  I THINK I’M READY
  BEEN LOCKED UP IN THE HOUSE WAY TOO LONG
  IT’S TIME TO GET IT
  ‘CAUSE ONCE AGAIN HE’S OUT DOING WRONG
  AND MY GIRLS ARE SO REAL
  SAID IT’S BEEN A MINUTE SINCE I HAD SOME
  HE’S BEEN ACTIN’ UP
  BUT HE WON’T BE THE ONLY ONE

  ‘CAUSE WHEN THEY ACT WRONG
  THAT’S WHEN YOU PUT IT ON
  GET ‘EM UPTIGHT, THIS IS YOUR SONG
  POKE OUT YA BACK, TIME TO IMPRESS
  PULL OUT YOUR FREAKUM DRESS

  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON

  EVERY WOMAN GOT ONE
  SHUT IT DOWN WHEN THE TIME COMES
  SO PULL OUT THE BIG GUNS
  AND PUT YOUR FREAKUM DRESS ON

  SOON AS HE SAW ME
  TURNED ON BY HOW THE DRESS WAS FITTIN’ RIGHT
  SHORT AND BACKLESS (BACKLESS)
  SEE MY SILHOUETTE IN THE MOONLIGHT
  SUCH AN ATTRACTION
  KEEP TELLING ME HOW MY OUTFIT’S SO NICE
  LITTLE DID HE KNOW
  MY MAN GON’ TAKE IT OFF TONIGHT

  ‘CAUSE WHEN THEY ACT WRONG
  THAT’S WHEN YOU PUT IT ON
  GET ‘EM UPTIGHT, THIS IS YOUR SONG
  POKE OUT YA BACK, TIME TO IMPRESS
  PULL OUT YOUR FREAKUM DRESS

  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON

  EVERY WOMAN GOT ONE
  SHUT IT DOWN WHEN THE TIME COMES
  SO PULL OUT THE BIG GUNS
  AND PUT YOUR FREAKUM DRESS ON

  ALL THE LADIES
  YOUR WEAVES DID
  ALL DRESSED UP IN YOUR DRESSES
  AND YOUR BESTEST FOR NO REASON
  GET READY TO FREAKUM FREAKUM

  BEFORE YOU PUT IT ON, IT’S AN INVITATION
  WHEN I PLAY A SONG, GET ON UP AND SHAKE IT
  POKIN’ OUT YOUR BACK, YOU DON’T HAVE TO WASTE IT
  SPINNIN’ ALL AROUND, THEN TAKE IT TO THE GROUND AND…
  (2X)

  ‘CAUSE WHEN THEY ACT WRONG
  THAT’S WHEN YOU PUT IT ON
  GET ‘EM UPTIGHT, THIS IS YOUR SONG
  POKE OUT YA BACK, TIME TO IMPRESS
  PULL OUT YOUR FREAKUM DRESS

  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON

  EVERY WOMAN GOT ONE
  SHUT IT DOWN WHEN THE TIME COMES
  SO PULL OUT THE BIG GUNS
  AND PUT YOUR FREAKUM DRESS ON

  LADIES LOOK IT HERE
  WHEN YOU BEEN WITH YOUR MAN FOR A LONG TIME
  EVERY NOW AND THEN YOU GOTTA GO BACK IN THE CLOSET AND PULL OUT THAT FREAKUM DRESS

  I GOT MY FREAKUM DRESS ON
  I GOT MY FREAKUM DRESS ON
  I GOT MY FREAKUM DRESS ON
  I GOT MY FREAKUM DRESS ON

  Freakum Dress Credits

  WRITTEN BY BEYONCÉ KNOWLES, RICH HARRISON, ANGELA BEYINCE AND MAKEBA
  PUBLISHED BY B-DAY PUBLISHING/WMI MUSIC PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC, INC. (BMI) OBO ITSELF AND DAM RICH (BMI), ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI)

  PRODUCED BY RICH HARRISON FOR RICHCRAFT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI AND JAMIE ROSENBERG AT GREAT DIVIDE STUDIOS, ASPEN, CO
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND RICH HARRISON FOR RICHCRAFT, INC. AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  

• DAMN THAT WAS SO GOOD
  I WANNA BUY HIM A SHORT SET

  I’M-A BE LIKE A JOLLY RANCHER
  THAT YOU GET FROM THE CORNER STORE
  OR I’M-A BE LIKE A WAFFLE CONE
  THAT’S DRIPPIN’ DOWN TO THE FLOOR
  THE WAY YOU DO IT FOR ME, I CAN’T LIE (LIE)
  ‘BOUT TO BE UP IN THE MALL ALL NIGHT (YES)
  WHATEVER I GET, YA PUTTIN’ IT ON (YES)
  DON’T GIVE ME NO LIP, LET MAMA DO IT ALL

  LET ME BE, I WANTS TO BE, GOTSTA BE
  YOUR SUGA, GIVE MAMA SOME SUGA MAMA
  SUGA MA, MA, MA, MA
  I’M YOUR (SUGA MAMA) SUGA MAMA

  LET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
  NEW WHIP, NEW HEAVY ON THE WRIST
  ‘CAUSE IM-A…
  SUGA MA, MA, MA, MA
  I’M YOUR, SUGA MAMA (SUGA MAMA)

  HEY, HEY, SIT ON MAMA LAP
  HEY, HEY, COME SIT ON MAMA LAP
  HEY, COME SIT ON MAMA LAP
  HEY, HEY, COME SIT ON MAMA LAP

  IT’S SO GOOD TO THE POINT THAT I’D DO ANYTHING TO KEEP YOU HOME
  BABY WHAT YOU WANT ME TO BUY
  MY ACCOUNTANT’S WAITING ON THE PHONE (ON THE PHONE)
  JUST THE THOUGHT OF MAKIN’ LOVE TO YOU (YOU)
  DROPPIN’ EVERYTHING, THAT’S WHAT I’LL DO (I’LL DO)
  WHATEVER I GET, YA PUTTING IT ON (BOY)
  NOW TAKE IT OFF, WHILE I WATCH YOU PERFORM

  LET ME BE, I WANTS TO BE, GOTSTA BE
  YOUR SUGA, GIVE MAMA SOME SUGA MAMA
  SUGA MA, MA, MA, MA
  I’M YOUR (SUGA MAMA) SUGA MAMA

  LET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
  NEW WHIP, NEW HEAVY ON THE WRIST
  ‘CAUSE IM-A…
  SUGA MA, MA, MA, MA
  I’M YOUR, SUGA MAMA (SUGA MAMA)

  SIT ON MAMA LAP
  HEY, HEY, COME SIT ON MAMA LAP
  HEY, COME SIT ON MAMA LAP
  HEY, HEY, COME SIT ON MAMA LAP

  AND I, ALWAYS BEEN THE TYPE TO TAKE CARE OF MINE
  I KNOW JUST WHAT I’M DOING
  DON’T YOU WORRY IT’S COOL AND EVERYTHING IS STEADY
  CLAIMED YOU ON MY TAXES ALREADY, YEAH YEAH YEAH
  I PROMISE I WON’T LET NO BILLS GET BEHIND
  ‘CAUSE EVERY TOUCH, EVERY KISS, AND HUG
  BEST BELIEVE IT’LL BE ON TIME
  SUGA MAMA

  LET ME BE, I WANTS TO BE, GOTSTA BE
  YOUR SUGA, GIVE MAMA SOME SUGA MAMA
  SUGA MA, MA, MA, MA
  I’M YOUR (SUGA MAMA) SUGA MAMA

  LET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
  NEW WHIP, NEW HEAVY ON THE WRIST
  ‘CAUSE IM-A…
  SUGA MA, MA, MA, MA
  I’M YOUR, SUGA MAMA (SUGA MAMA)

  SIT ON MAMA LAP
  HEY, HEY, COME SIT ON MAMA LAP
  HEY, COME SIT ON MAMA LAP
  HEY, HEY, COME SIT ON MAMA LAP
  (2X)

  Suga Mama Credits

  WRITTEN BY BEYONCÉ KNOWLES, RICH HARRISON, MAKEBA AND CHUCK MIDDLETON
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC, INC. (BMI) OBO ITSELF AND DAM RICH (BMI)/MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), MUTT MUSIC (BMI)

  PRODUCED BY RICH HARRISON FOR RICHCRAFT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND RICH HARRISON FOR RICHCRAFT, INC. AT SONY MUSIC STUDIOS, NY C
  ASSISTED BY STEVE TOLLE
  CONTAINS EXCERPTS FROM “SEARCHING FOR SOUL” WRITTEN BY CHUCK MIDDLETON, PUBLISHED BY MUTT MUSIC (BMI) AND RECORDED BY J. WADE AND THE SOUL SEARCHERS. COURTESY OF UBIQUITY RECORDS. USED BY PERMISSION. 
  

• BASS (UGH)
  HIGH HAT (UGH)
  808 (UGH)
  JAY (AH HA … READY … AH HA …)
  LET’S GO GET ‘EM (AH HA … C’MON)

  I USE TO RUN BASS BY LIKE JUAN PIERRE
  BUT NOW I RUN THE BASS, HIGH HAT AND THE SNARE
  I USE TO BAG GIRLS LIKE BIRKIN BAGS
  NOW I BAG B (BOY YOU HURTIN’ THAT)
  BROOKLYN BE WHERE THEY BIRTH ME AT
  NOW I BE EVERYWHERE – THE NERVE OF RAP
  THE AUDACITY TO HAVE ME WITH THEM CURTAINS BACK
  ME AND B, SHE ABOUT TO STEAM, STAND BACK

  BABY
  SEEMS LIKE EVERYWHERE I GO, I SEE YOU
  FROM YOUR EYES I SMILE, IT’S LIKE I BREATHE YOU
  HELPLESSLY I REMINISCE, DON’T WANT TO
  COMPARE NOBODY TO YOU

  BOY I TRY TO CATCH MYSELF
  BUT I’M OUTTA CONTROL
  YOUR SEXINESS IS SO APPEALING
  I CAN’T LET IT GO

  YOU KNOW THAT I CAN’T GET OVER YOU
  ‘CAUSE EVERYTHING I SEE IS YOU
  AND I DON’T WANT NO SUBSTITUTE
  BABY I SWEAR IT’S DEJA VU

  YOU KNOW THAT I CAN’T GET OVER YOU
  ‘CAUSE EVERYTHING I SEE IS YOU
  AND I DON’T WANT NO SUBSTITUTE
  BABY I SWEAR IT’S DEJA VU

  I’M SEEING
  THINGS THAT I KNOW CAN’T BE
  AM I DREAMING
  WHEN I SAW YOU WALKING PAST ME
  ALMOST CALLED YOUR NAME
  GOT A BETTER GLIMPSE AND THEN I LOOKED AWAY
  IT’S LIKE I’M LOSING IT

  BOY I TRY TO CATCH MYSELF
  BUT I’M OUTTA CONTROL
  YOUR SEXINESS IS SO APPEALING
  I CAN’T LET IT GO

  YOU KNOW THAT I CAN’T GET OVER YOU
  ‘CAUSE EVERYTHING I SEE IS YOU
  AND I DON’T WANT NO SUBSTITUTE
  BABY I SWEAR IT’S DEJA VU

  YOU KNOW THAT I CAN’T GET OVER YOU
  ‘CAUSE EVERYTHING I SEE IS YOU
  AND I DON’T WANT NO SUBSTITUTE
  BABY I SWEAR IT’S DEJA VU

  YES
  HOVA’S FLOW
  SO UNUSUAL
  BABY GIRL YOU SHOULD ALREADY KNOW
  IT’S H – O
  LIGHT UP THE DRO
  ‘CAUSE YOU GONNA NEED HELP TRYNA STUDY MY
  BOUNCE
  FLOW BLOW
  WHAT THE DIFFERENCE
  ONE YOU TAKE IN VEIN
  WHILE THE OTHER YOU SNIFFIN’
  IT’S STILL DOPE
  PO-PO TYRNA CONVICT ‘EM
  THAT A NO-GO
  MY DOUGH KEEPS THE SCALES TIPPIN’
  LIKE 4 4’S
  LIKE I’M FROM THE H-O-U-S-T-O-N
  BLOW – WIND – SO CHICAGO OF HIM
  IS HE THE BEST EVER
  THAT THE ARGU-A-MENT
  I DON’T MAKE THE LIST
  DON’T BE MAD AT ME
  I JUST MAKE THE HITS LIKE A FACTORY
  I’M JUST ONE TO ONE
  NOTHIN’ AFTER ME
  NO DEJA VU
  JUST ME AND MY (OHH)

  BABY I CAN’T GO ANYWHERE
  WITHOUT THINKING THAT YOU’RE THERE
  SEEMS LIKE YOUR EVERYWHERE IT’S TRUE
  GOTTA BE HAVING DEJA VU
  ‘CAUSE IN MY MIND, I WANT YOU HERE
  GET ON THE NEXT PLANE, I DON’T CARE
  IS IT BECAUSE I’M MISSING YOU
  THAT I’M HAVING DEJA VU

  BOY I TRY TO CATCH MYSELF
  BUT I’M OUTTA CONTROL
  YOUR SEXINESS IS SO APPEALING
  I CAN’T LET IT GO

  YOU KNOW THAT I CAN’T GET OVER YOU
  ‘CAUSE EVERYTHING I SEE IS YOU
  AND I DON’T WANT NO SUBSTITUTE
  BABY I SWEAR IT’S DEJA VU
  (3X)
  

  Deja Vu (feat. Jay Z) Credits

  WRITTEN BY BEYONCÉ KNOWLES, RODNEY JERKINS, DELISHA THOMAS, MAKEBA, KELI NICOLE PRICE AND SHAWN CARTER
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/EMI BLACKWOOD MUSIC, INC. (BMI)/23000 MUSIC PUBLISHING (SOCAN/BMI), MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC (BMI), PRICE TAG (SESAC). ADMINISTERED BY INTERNATIONAL MUSIC PUBLISHING (SESAC), EMI APRIL MUSIC, INC. (ASCAP)/CARTER BOYS PUBLISHING

  PRODUCED BY RODNEY “DARKCHILD” JERKINS FOR DARKCHILD.COM AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. ASSISTED BY JON JON

  RECORDED BY JEFF VILLANUEVA AND JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI AND JUN ISHIZEKI AT THE RECORD PLANT, LOS ANGELES, CA
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT, RODNEY JERKINS AND BEYONCÉ KNOWLES AT SONY MUSIC STUDIOS
  ALL MUSIC BY RODNEY “DARKCHILD” JERKINS
  RAP PERFORMED BY JAY-Z
  BASS: JON JON
  HORNS ARRANGED BY RODNEY “DARKCHILD” JERKINS
  HORNS BY RONALD JUDGE, ALLEN “AL GEEZ” ARTHUR AND AARON “GOODY” GOODE
  

• RING THE ALARM
  I BEEN THROUGH THIS TOO LONG
  BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM
  WON'T YOU RING THE ALARM
  I BEEN THROUGH THIS TOO LONG
  BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM

  SHE GON' BE ROCKIN' CHINCHILLA COATS
  IF I LET YOU GO
  PENT IN THE HOUSE OFF THE COAST
  IF I LET YOU GO
  SHE GON' TAKE EVERYTHING I OWN
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  SHE GON' ROCK THEM VVS STONES
  IF I LET YOU GO
  COUPED IN THE 'BACH OR THE ROLLS
  IF I LET YOU GO
  SHE GON' PROFIT EVERYTHING I TAUGHT
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  TELL ME HOW SHOULD I FEEL
  WHEN I KNOW WHAT I KNOW
  AND MY FEMALE INTUITION
  TELLING ME YOU A DOG
  PEOPLE TOLD ME 'BOUT THE FLAMES
  I COULDN'T SEE THROUGH THE SMOKE
  WHEN I NEED ANSWERS, ACCUSATIONS
  WHAT YOU MEAN YOU GON’ CHOKE

  YOU CAN'T STAY, YOU GOTTA GO
  AIN'T NO OTHER CHICKS SPENDING YOUR DOUGH
  THIS IS TAKING A TOLL, THE WAY THE STORY UNFOLDS
  NOT THE PICTURE PERFECT MOVIE EVERYONE WOULD'VE SAW

  SHE GON' BE ROCKIN' CHINCHILLA COATS
  IF I LET YOU GO
  PENT IN THE HOUSE OFF THE COAST
  IF I LET YOU GO
  SHE GON' TAKE EVERYTHING I OWN
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  SHE GON' ROCK THEM VVS STONES
  IF I LET YOU GO
  COUPED IN THE 'BACH OR THE ROLLS
  IF I LET YOU GO
  SHE GON' PROFIT EVERYTHING I TAUGHT
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  RING THE ALARM
  I BEEN THROUGH THIS TOO LONG
  BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM
  WON'T YOU RING THE ALARM
  I BEEN THROUGH THIS TOO LONG
  BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM

  TELL ME HOW SHOULD I FEEL
  WHEN YOU MADE ME BELONG
  AND THE THOUGHT OF YOU JUST TOUCHING HER
  IS WHAT I HATE MOST
  I DON'T WANT YOU BUT I WANT IT
  AND I CAN'T LET IT GO
  TO KNOW YOU GIVE IT TO HER LIKE YOU GAVE IT TO ME, COME ON

  HE'S SO ARROGANT AND BOLD (OH)
  SHE GON' LOVE THAT SHIT, I KNOW
  I DONE PUT IN A CALL, TIME TO RING THE ALARM
  'CAUSE YOU AIN'T NEVER SEEN A FIRE LIKE THE ONE I'M-A 'CAUSE

  SHE GON' BE ROCKIN' CHINCHILLA COATS
  IF I LET YOU GO
  PENT IN THE HOUSE OFF THE COAST
  IF I LET YOU GO
  SHE GON' TAKE EVERYTHING I OWN
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  SHE GON' ROCK THEM VVS STONES
  IF I LET YOU GO
  COUPED IN THE 'BACH OR THE ROLLS
  IF I LET YOU GO
  SHE GON' PROFIT EVERYTHING I TAUGHT
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  HOW CAN YOU LOOK AT ME
  AND NOT SEE ALL THE THINGS THAT I KEPT ONLY JUST FOR YOU
  WHY WOULD YOU RISK IT BABY
  IS THAT THE PRICE THAT I PAY
  BUT THIS IS MY SHOW AND I WON'T LET YOU GO
  ALL HAS BEEN PAID FOR, AND IT'S MINE
  HOW COULD YOU LOOK AT ME
  AND NOT SEE ALL THE THINGS (SEE ALL THE THINGS)

  SHE GON' BE ROCKIN' CHINCHILLA COATS
  IF I LET YOU GO
  PENT IN THE HOUSE OFF THE COAST
  IF I LET YOU GO
  SHE GON' TAKE EVERYTHING I OWN
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  SHE GON' ROCK THEM VVS STONES
  IF I LET YOU GO
  COUPED IN THE 'BACH OR THE ROLLS
  IF I LET YOU GO
  SHE GON' PROFIT EVERYTHING I TAUGHT
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO
  

  Ring The Alarm Credits

  WRITTEN BY BEYONCÉ KNOWLES, KASSEEM “SWISS BEATZ” DEAN AND SEAN GARRETT
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), UNIVERSAL TUNES, A DIVISION OF SONGS OF UNIVERSAL INC. (SESAC), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI)

  PRODUCED BY SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS, INC., BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND SEAN GARRETT FOR THE PRACTICE TEAM

  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  

• I WISH I COULD BELIEVE YOU
  THEN I'LL BE ALRIGHT
  BUT NOW EVERYTHING YOU TOLD ME
  REALLY DON'T APPLY
  TO THE WAY I FEEL INSIDE
  LOVING YOU WAS EASY
  ONCE UPON A TIME
  BUT NOW MY SUSPICIONS OF YOU
  HAVE MULTIPLIED
  AND IT'S ALL BECAUSE YOU LIED

  I ONLY GIVE YOU A HARD TIME
  ‘CAUSE I CAN’T GO ON AND PRETEND LIKE
  I HAVEN’T TRIED TO FORGIVE THIS
  BUT I’M MUCH TOO FULL OF RESENTMENT
  JUST CAN'T SEEM TO GET OVER
  THE WAY YOU HURT ME
  DON'T KNOW HOW YOU GAVE ANOTHER
  WHO DIDN'T MEAN A THING, NO
  THE VERY THING YOU GAVE TO ME

  I THOUGHT I COULD FORGIVE YOU
  AND I KNOW YOU'VE CHANGED
  AS MUCH AS I WANNA TRUST YOU
  I KNOW IT AIN'T THE SAME
  AND IT’S ALL BECAUSE YOU LIED

  I ONLY GIVE YOU A HARD TIME
  ‘CAUSE I CAN’T GO ON AND PRETEND LIKE
  I HAVEN’T TRIED TO FORGIVE THIS
  BUT I’M MUCH TOO FULL OF RESENTMENT

  I MAY NEVER UNDERSTAND WHY
  I’M DOING THE BEST THAT I CAN
  I TRIED AND I TRIED TO FORGIVE THIS
  BUT I’M MUCH TOO FULL OF RESENTMENT

  I ALWAYS REMEMBER FEELIN’
  LIKE I WAS NO GOOD
  LIKE I COULDN'T DO IT FOR YOU
  LIKE YOUR MISTRESS COULD
  AND IT’S ALL BECAUSE YOU LIED

  LOVED YOU MORE THAN EVER
  MORE THAN MY OWN LIFE
  THE BEST PART OF ME I GAVE YOU
  IT WAS SACRIFICED
  AND IT'S ALL BECAUSE YOU LIED

  I ONLY GIVE YOU A HARD TIME
  ‘CAUSE I CAN’T GO ON AND PRETEND LIKE
  I TRIED AND I TRIED TO FORGIVE THIS
  BUT I’M MUCH TOO DAMN FULL OF RESENTMENT

  I KNOW SHE WAS ATTRACTIVE
  BUT I WAS HERE FIRST
  BEEN RIDING WITH YOU FOR 6 YEARS
  WHY DID I DESERVE
  TO BE TREATED THIS WAY BY YOU
  I KNOW YOU'RE PROBABLY THINKING
  WHAT'S UP WITH B
  I’VE BEEN CRYING FOR TOO LONG
  WHAT DID YOU DO TO ME
  I USED TO BE SO STRONG
  NOW YOU TOOK MY SOUL
  I’M CRYING
  CAN’T STOP CRYING
  CAN’T STOP CRYING
  YOU COULD’VE TOLD ME
  YOU WASN’T HAPPY
  I KNOW YOU DIDN’T WANT TO HURT ME
  LOOK AT WHAT YOU’VE DONE TO ME NOW
  I GOTTA LOOK AT HER IN HER EYES
  AND SEE SHE’S HAD HALF OF ME
  YOU LIED
  HOW COULD YOU LIE
  YOU LIED

  Resentment Credits

  WRITTEN BY BEYONCÉ KNOWLES, WALTER W. MILLSAP III, CANDICE C. NELSON AND C. MAYFIELD
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), CONJUNCTION MUSIC/EMI APRIL MUSIC, INC. (ASCAP), UNIVERSAL MUSIC CORP. (ASCAP) ON BEHALF OF BOOTLEGGERS STOP (ASCAP)/WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND TODD MAYFIELD PUBLISHING (BMI), ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING (BMI)

  PRODUCED BY WALTER “LIL WALT” MILLSAP III FOR CONJUNCTION PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
  CO-PRODUCED BY CANDICE “G.G” NELSON FOR CONJUNCTION PRODUCTIONS, LLC
  VOCAL PRODUCTION BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  ALL MUSIC BY WALTER “LIL WALT” MILLSAP III AND CANDICE “G.G” NELSON FOR CONJUNCTION PRODUCTIONS, LLC
  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI AND DAVE “D-LO” LOPEZ AND WALTER MILLSAP III AT LAIR STUDIOS, LOS ANGELES, CA
  PRO TOOLS EDITING BY DAVE “D-LO” LOPEZ AND WALTER MILLSAP III AT LAIR STUDIOS, LOS ANGELES, CA
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  CONTAINS ELEMENTS OF “THINK” (C. MAYFIELD) WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND TODD MAYFIELD PUBLISHING (BMI). ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING (BMI). ALL RIGHTS RESERVED.
  

• LISTEN TO THE SONG HERE IN MY HEART
  A MELODY I START BUT CAN'T COMPLETE

  LISTEN, TO THE SOUND FROM DEEP WITHIN
  IT'S ONLY BEGINNING
  TO FIND RELEASE

  OH, THE TIME HAS COME
  FOR MY DREAMS TO BE HEARD
  THEY WILL NOT BE PUSHED ASIDE AND TURNED
  INTO YOUR OWN
  ALL CAUSE YOU WON'T
  LISTEN

  LISTEN, I AM ALONE AT A CROSSROADS
  I'M NOT AT HOME, IN MY OWN HOME
  AND I'VE TRIED AND TRIED
  TO SAY WHAT'S ON MY MIND
  YOU SHOULD HAVE KNOWN

  OH, NOW I'M DONE BELIEVING YOU
  YOU DON'T KNOW WHAT I'M FEELING
  I'M MORE THAN WHAT YOU MADE OF ME
  I FOLLOWED THE VOICE YOU GAVE TO ME
  BUT NOW I GOTTA FIND MY OWN

  YOU SHOULD HAVE LISTENED
  THERE IS SOMEONE HERE INSIDE
  SOMEONE I'D THOUGHT HAD DIED
  SO LONG AGO

  OH, I'M SCREAMING OUT, AND MY DREAMS WILL BE HEARD
  THEY WILL NOT BE PUSHED ASIDE ON WORDS
  INTO YOUR OWN
  ALL CAUSE YOU WON'T
  LISTEN

  LISTEN, I AM ALONE AT A CROSSROADS
  I'M NOT AT HOME, IN MY OWN HOME
  AND I'VE TRIED AND TRIED
  TO SAY WHAT'S ON MY MIND
  YOU SHOULD HAVE KNOWN

  OH, NOW I'M DONE BELIEVING YOU
  YOU DON'T KNOW WHAT I'M FEELING
  I'M MORE THAN WHAT YOU MADE OF ME
  I FOLLOWED THE VOICE YOU GAVE TO ME
  BUT NOW I GOTTA FIND MY OWN

  I DON'T KNOW WHERE I BELONG
  BUT I'LL BE MOVING ON
  IF YOU DON'T
  IF YOU WON'T

  LISTEN TO THE SONG HERE IN MY HEART
  A MELODY I START
  BUT I WILL COMPLETE

  OH, NOW I'M DONE BELIEVING YOU
  YOU DON'T KNOW WHAT I'M FEELING
  I'M MORE THAN WHAT YOU'VE MADE OF ME
  I FOLLOWED THE VOICE YOU THINK YOU GAVE TO ME
  BUT NOW I GOTTA FIND MY OWN
  MY OWN

  Listen (From the Motion Picture Dream Girls) Credits

  WRITTEN BY BEYONCÉ KNOWLES, HENRY KRIEGER, SCOTT CUTLER AND ANNIE PREVEN
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), MIROKU MUSIC (ASCAP), SCOTTA ROCK MUSIC (ASCAP). ADMIN. BY KOBALT, SHIGSHAG MUSIC (BMI) ADMIN. BY KOBALT, SKG SONGS (ASCAP) AND SONGS OF SKG (BMI)

  PRODUCED BY THE UNDERDOGS AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  ALL VOCALS PRODUCED BY RUDY PEREZ
  SPANISH LYRICS WRITTEN BY RUDY PEREZ
  BACKGROUND VOCALS: JASMIN CRUZ AND RUDY PEREZ
  LEAD VOCAL ENGINEER: ANDRES BERMUDEZ AND JIM CARUANA
  ASSISTED BY ROB KINELSKI, GEOFFREY RICE AND STEVE TOLLE
  RECORDED AT SONY MUSIC STUDIOS, NYC AND THE BEACH HOUSE STUDIOS, MIAMI BEACH, FL
  BACKGROUND VOCAL ENGINEER: ANDRES BERMUDEZ
  ASSISTANT ENGINEER: DAVID LOPEZ
  PRO TOOLS ENGINEER/EDITING: CLAY PERRY
  MIXED BY BRUCE WEEDEN
  MASTERED BY TOM COYNE AT STERLING SOUND, NYC
  

• 9 – 4 – 8 – 1
  B'DAY

  MISSION ONE
  I'M-A PUT THIS ON
  WHEN HE SEE ME IN THE DRESS, I'M-A GET ME SOME (HEY)

  MISSION TWO
  GOTTA MAKE THAT CALL
  TELL HIM GET THE BOTTLES POPPIN' WHEN THEY PLAY MY SONG (HEY)

  MISSION THREE
  GOT MY THREE BEST FRIENDS
  LIKE WE DO IT ALL THE TIME, WE GON’ DO IT AGAIN (HEY)

  MISSION FOUR
  GOT THE VINTAGE ROLLS
  DROP A COUPLE HUNDREDS, TELL HIM LEAVE IT AT THE DOOR

  I AIN'T WORRIED DOING ME TONIGHT
  A LITTLE SWEAT AIN'T NEVER HURT NOBODY
  WHILE Y’ALL STANDIN' ON THE WALL
  I'M THE ONE TONIGHT
  GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED
  WANT MY BODY
  WON'T YOU GET ME BODIED
  YOU WANT MY BODY
  WON'T YOU GET ME BODIED (HEY)

  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  WON'T YOU SING MY BODY
  I WANT TO LET IT OUT TONIGHT
  WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

  MISSION FIVE
  SKIP TO THE FRONT OF THE LINE
  LET ME FIX MY HAIR UP 'FORE I GO INSIDE (HEY)

  MISSION SIX
  GOTTA CHECK THESE CHICKS
  'CAUSE YOU KNOW THEY GONE BLOCK WHEN I TAKE THESE FLICKS (HEY)

  MISSION SEVEN
  GOTTA MAKE MY ROUNDS
  GIVEN EYES TO THE GUYS NOW I THINK I FOUND HIM (HEY)
  MISSION EIGHT
  NOW WE CONVERSATIN’
  WE CAN SKIP SMALL TALK, LET'S GET RIGHT TO THE CHASE (HEY)

  I AIN'T WORRIED DOING ME TONIGHT
  A LITTLE SWEAT AIN'T NEVER HURT NOBODY
  WHILE Y’ALL STANDIN' ON THE WALL
  I'M THE ONE TONIGHT
  GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED
  WANT MY BODY
  WON'T YOU GET ME BODIED
  YOU WANT MY BODY
  WON'T YOU GET ME BODIED (HEY)

  YOU SHOULD SEE MY BODY
  I GOTTA KNOW ENOUGH TO KNOW IF YOU CAN GET ME BODIED
  I'M KINDA TIGHT, I'M FEELING RIGHT ENOUGH TO SEE SOMEBODY
  I WANNA LET IT OUT TONIGHT
  WANNA DANCE, WANNA PARTY, WANNA BE MYSELF TONIGHT

  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  WON'T YOU SING MY BODY
  I WANT TO LET IT OUT TONIGHT
  WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

  BABY ALL I WANT IS TO LET IT GO
  AIN'T NO WORRIES, OH
  WE CAN DANCE ALL NIGHT
  GET ME BODIED
  THAT MEANS COME CLOSER TO ME
  WHILE WE GRIND TO THE BEAT
  AND YOUR BODY'S TOUCHING MY BODY
  ALL I NEED IS TO LET IT BE
  AIN'T NO WORRY, NO
  BOY DANCE WITH ME
  FEEL MY BODY
  STOP JUST COME CLOSER TO ME
  WHILE WE GRIND TO THE BEAT
  WITH YOUR BODY TOUCHING MY BODY

  GETTIN’ BODIED
  AIN'T NO SHAME 'CAUSE I GOTTA GET MINE
  I SWING MY HAIR, KICK OFF MY SHOES
  COME HER BOY LET ME WORK ON YOU

  I AIN'T WORRIED DOING ME TONIGHT
  A LITTLE SWEAT AIN'T NEVER HURT NOBODY
  WHILE Y’ALL STANDIN' ON THE WALL
  I'M THE ONE TONIGHT
  GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED
  WANT MY BODY
  WON'T YOU GET ME BODIED
  YOU WANT MY BODY
  WON'T YOU GET ME BODIED (HEY)

  Get Me Bodied Credits

  WRITTEN BY BEYONCÉ KNOWLES, KASSEEM 'SWIZZ BEATZ' DEAN, SEAN GARRETT,
  MAKEBA, ANGELA BEYINCE, SOLANGE KNOWLES
  PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP), UNIVERSAL TUNES, A DIVISION OF
  SONGS OF UNIVERSAL INC. (SESAC), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC
  (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI), MAKEBA YOGA FLAMES MUSIC
  (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC INC. (BMI),
  ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), SOLANGE MWP
  PUBLISHING (ASCAP) ADMINISTERED BY MUSIC WORLD, LLC

  PRODUCED BY SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS, INC., BEYONCÉ KNOWLES
  FOR MUSIC WORLD PRODUCTIONS, INC. AND SEAN GARRETT FOR THE PRACTICE TEAM

  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI
  MIXED BY JASON GOLDSTEIN FOR CLEARWATER ENTERTAINMENT AND SWIZZ BEATZ AT
  SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE

  RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT “LB” DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
  MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
  DIGITAL PREP ENGINEER: COLIN MILLER
  MASTERED BY TOM COYNE AT STERLING SOUND, NYC
  

Beyonce B'day Deluxe Edition Zip