Beyonce B Day Itunes Torrent

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B'Day (2006)

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Beyonce
  • AY, AY, AY
    NOBODY LIKES BEING PLAYED
    BEYONCÉ, BEYONCÉ
    SHAKIRA, SHAKIRA (HEY)

    HE SAID I'M WORTH IT, HIS ONE DESIRE
    I KNOW THINGS ABOUT 'EM THAT YOU WOULDN'T WANNA READ ABOUT
    HE KISSED ME, HIS ONE AND ONLY, (YES) BEAUTIFUL LIAR
    TELL ME HOW YOU TOLERATE THE THINGS THAT YOU JUST FOUND OUT ABOUT

    YOU NEVER KNOW
    WHY ARE WE THE ONES WHO SUFFER
    I HAVE TO LET GO
    HE WON'T BE THE ONE TO CRY

    (AY) LET'S NOT KILL THE KARMA
    (AY) LET'S NOT START A FIGHT
    (AY) IT'S NOT WORTH THE DRAMA
    FOR A BEAUTIFUL LIAR
    CAN'T WE LAUGH ABOUT IT (HA HA HA)
    (OH) IT'S NOT WORTH OUR TIME
    (OH) WE CAN LIVE WITHOUT 'EM
    JUST A BEAUTIFUL LIAR

    I TRUSTED HIM, BUT WHEN I FOLLOWED YOU, I SAW YOU TOGETHER
    I DIDN'T KNOW ABOUT YOU THEN 'TILL I SAW YOU WITH HIM AGAIN
    I WALKED IN ON YOUR LOVE SCENE, SLOW DANCING
    YOU STOLE EVERYTHING, HOW CAN YOU SAY I DID YOU WRONG

    WE’LL NEVER KNOW
    WHEN THE PAIN AND HEARTBREAK'S OVER
    I HAVE TO LET GO
    THE INNOCENCE IS GONE

    (AY) LET'S NOT KILL THE KARMA
    (AY) LET'S NOT START A FIGHT
    (AY) IT'S NOT WORTH THE DRAMA
    FOR A BEAUTIFUL LIAR
    CAN'T WE LAUGH ABOUT IT (HA HA HA)
    (OH) IT'S NOT WORTH OUR TIME
    (OH) WE CAN LIVE WITHOUT 'EM
    JUST A BEAUTIFUL LIAR

    TELL ME HOW TO FORGIVE YOU
    WHEN IT'S ME WHO'S ASHAMED
    AND I WISH COULD FREE YOU
    OF THE HURT AND THE PAIN
    BUT THE ANSWER IS SIMPLE
    HE'S THE ONE TO BLAME

    BEYONCÉ BEYONCÉ
    SHAKIRA SHAKIRA
    BEYONCÉ BEYONCÉ
    SHAKIRA SHAKIRA
    (HEY)

    (AY) LET'S NOT KILL THE KARMA
    (AY) LET'S NOT START A FIGHT
    (AY) IT'S NOT WORTH THE DRAMA
    FOR A BEAUTIFUL LIAR
    CAN'T WE LAUGH ABOUT IT (HA HA HA)
    (OH) IT'S NOT WORTH OUR TIME
    (OH) WE CAN LIVE WITHOUT 'EM
    JUST A BEAUTIFUL LIAR

    Beautiful Liar Credits

    WRITTEN BY BEYONCÉ KNOWLES, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN, AMANDA GHOST AND IAN DENCH. PUBLISHED BY B’DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), SONY ATV MUSIC PUBLISHING (ASCAP), AMANDA GHOST BUCKS MUSIC GROUP LIMITED (ASCAP)

    PRODUCED BY STARGATE FOR DELIRIOUS BLACKSMITH MANAGEMENT AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    A&R BY MAX GOUSSE AND MATHEW KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
    ADDITIONAL PRODUCTION BY SHAKIRA FOR LIGHT PRODUCTIONS AND EDUARDO CABRA
    ARRANGEMENT BY SHAKIRA AND STARGATE
    VOCAL PRODUCTION BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC., RUDY PEREZ, SHAKIRA AND OLGUI CHIRINO
    RECORDING ENGINEERS: JIM CARUANA, STARGATE, GUSTAVO CELIS, ROBERTO ALMODOVAR AND JOHN WESTON
    ASSISTED BY ROB KINELSKI AND DAVID STEARNS
    DIGITAL EDITING (STRINGS): JOHN WESTON
    PROGRAMMING: STARGATE, DENAUN PORTER AND VISITANTE
    VIOLIN ARRANGEMENT: SHAKIRA AND KAREEM ROUSTOM
    ADDITIONAL STRING ARRANGEMENTS: KAREEM ROUSTOM, NASER MUSA
    VIOLIN AND VIOLA: HANNA KHOURY
    NAY: BOUJEMAA RAZGUI
    ARABIC PERCUSSION: OMAR AL MUSFI
    OTHER INSTRUMENTS: MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN
    RECORDED AT SONY MUSIC STUDIOS, NYC; BATTERY STUDIOS, NYC; LA MARIMONDA, NASSAU, BAHAMAS; FUTURA PRODUCTIONS, ROSLINDALE, MA AND THE HIT FACTORY, MIAMI, FL
    MIXED BY JEAN-MARIE HORVAT AT CHALICE STUDIOS, LOS ANGELES, CA; OZ RECORDING STUDIOS, LOS ANGELES, CA; GUSTAVO CELIS AT SUPERSONIC STUDIOS, MIAMI, FL
    ASSISTED BY COLIN MILLER
    MASTERED BY TOM COYNE AT STERLING SOUND, NYC

  • TO THE LEFT, TO THE LEFT
    TO THE LEFT, TO THE LEFT
    TO THE LEFT, TO THE LEFT

    EVERYTHING YOU OWN IN THE BOX TO THE LEFT
    IN THE CLOSET THAT’S MY STUFF
    YES, IF I BOUGHT IT, PLEASE DON’T TOUCH
    AND KEEP TALKING THAT MESS THAT’S FINE
    BUT COULD YOU WALK AND TALK AT THE SAME TIME
    AND, IT’S MY NAME THAT’S ON THAT JAG
    SO COME MOVE YOUR BAGS, LET ME CALL YOU A CAB

    STANDING IN THE FRONT YARD
    TELLIN’ ME, HOW I’M SUCH A FOOL
    TALKIN’ ‘BOUT, I’LL NEVER EVER FIND A MAN LIKE YOU
    YOU GOT ME TWISTED Download dragon ball af sub indo episode 2.

    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I COULD HAVE ANOTHER YOU IN A MINUTE
    MATTER OF FACT, HE’LL BE HERE IN A MINUTE, BABY
    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I CAN HAVE ANOTHER YOU BY TOMORROW
    SO DON’T YOU EVER FOR A SECOND GET TO THINKING
    YOU’RE IRREPLACEABLE

    SO GO AHEAD AND GET GONE
    CALL UP THAT CHICK AND SEE IF SHE’S HOME
    OOPS, I BET YOU THOUGHT, THAT I DIDN’T KNOW
    WHAT DID YOU THINK I WAS PUTTING YOU OUT FOR
    BECAUSE YOU WAS UNTRUE
    ROLLIN’ HER AROUND IN THE CAR THAT I BOUGHT YOU
    BABY DROP THEM KEYS
    HURRY UP BEFORE YOUR TAXI LEAVES

    STANDING IN THE FRONT YARD
    TELLIN’ ME, HOW I’M SUCH A FOOL
    TALKIN’ BOUT, I’LL NEVER EVER FIND A MAN LIKE YOU
    YOU GOT ME TWISTED

    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I COULD HAVE ANOTHER YOU IN A MINUTE
    MATTER OF FACT, HE’LL BE HERE IN A MINUTE, BABY
    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I CAN HAVE ANOTHER YOU BY TOMORROW
    SO DON’T YOU EVER FOR A SECOND GET TO THINKING
    YOU’RE IRREPLACEABLE

    SO SINCE I’M NOT YOUR EVERYTHING
    HOW ABOUT I’LL BE NOTHING
    NOTHING AT ALL TO YOU
    BABY I WON’T SHED A TEAR FOR YOU
    I WON’T LOSE A WINK OF SLEEP
    ‘CAUSE THE TRUTH OF THE MATTER IS
    REPLACING YOU IS SO EASY

    TO THE LEFT, TO THE LEFT
    TO THE LEFT, TO THE LEFT
    TO THE LEFT, TO THE LEFT
    EVERYTHING YOU OWN IN THE BOX TO THE LEFT
    TO THE LEFT, TO THE LEFT
    DON’T YOU EVER FOR A SECOND GET TO THINKING
    YOU’RE IRREPLACEABLE

    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I COULD HAVE ANOTHER YOU IN A MINUTE
    MATTER OF FACT, HE’LL BE HERE IN A MINUTE, BABY
    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I CAN HAVE ANOTHER YOU BY TOMORROW
    SO DON’T YOU EVER FOR A SECOND GET TO THINKING (BABY)
    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I COULD HAVE ANOTHER U IN A MINUTE
    MATTER OF FACT, HE’LL BE HERE IN A MINUTE
    YOU CAN PACK ALL YOUR BAGS
    WE’RE FINISHED
    ‘CAUSE YOU MADE YOUR BED
    NOW LAY IN IT
    I CAN HAVE ANOTHER YOU BY TOMORROW
    DON’T YOU EVER FOR A SECOND GET TO THINKING
    YOU’RE IRREPLACEABLE

    Irreplaceable Credits

    WRITTEN BY S. SMITH , BEYONCÉ KNOWLES, MIKKEL S. ERIKSEN, TOR ERIK
    HERMANSEN, E. LIND, A. BJØRKLUND
    PUBLISHED BY STELLAR SONGS LTD. ADMIN. BY EMI MUSIC PUBLISHING, BEYONCÉ
    PUBLISHING (ASCAP), SONY ATV MUSIC PUBLISHING, EMI MUSIC PUBLISHING,
    SUPERSAYING (BMI)/ZOMBA MUSIC PUBLISHING, ZOMBA MUSIC PUBLISHING

    PRODUCED BY STARGATE FOR DELIRIOUS BLACKSMITH MANAGEMENT AND BEYONCÉ
    KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
    CO-PRODUCED BY S. SMITH FOR COMPOUND ENT.

    RECORDED BY JIM CARUANA & GEOFF RICE AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI
    MIXED BY JASON GOLDSTEIN FOR CLEARWATER ENTERTAINMENT AT SONY MUSIC
    STUDIOS, NYC
    ASSISTED BY STEVE TOLLE
    GUITARS: ESPEN LIND
    ALL OTHER INSTRUMENTS: MIKKEL S. ERIKSEN & TOR ERIK HERMANSEN
    STARGATE MANAGEMENT: TIM BLACKSMITH & DANNY D

    RECORDED BY JIM CARUANA & GEOFF RICE AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC. ASSISTED BY STEVE TOLLE
    GUITARS: ESPEN LIND
    ALL OTHER INSTRUMENTS: MIKKEL S. ERIKSEN AND TOR ERIK HERMANSEN
    STARGATE MANAGEMENT: TIM BLACKSMITH AND DANNY D

  • GIVE IT TO MAMA
    GIVE IT GIVE IT
    GIVE IT TO MAMA MAMA
    GIVE IT
    GIVE IT TO MAMA MAMA

    FOR SOME STRANGE REASON (HUH)
    YOU DONE PLEASING ME LIKE IT'S OK
    LIKE A PERM THAT'S BEEN LEFT TOO LONG
    IT'S STARTS TO BURN
    THE RESULT IS IT JUST WON'T TAKE
    I CAN SEE
    NOW IT'S ALL COMING SO CLEAR TO ME NOW
    I CAN SEE
    MISINTERPRETED ALL OF MY NAIVENESS
    WAS JUST THINKING IF I HAD NO YOU
    THAN I CAN'T DO
    MY STOCK JUST WENT UP OVER 2 MILLION

    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    GIVE IT TO MAMA

    GO GO GO GO
    GO GO GO GO
    GO GO GO GO
    GO GO RED LIGHT (AH) GREEN LIGHT

    SOME SEE ME SAY I SHOULD BE TROPHIED
    ‘CAUSE IT GETS NO STRONGER
    LADIES Y’ALL KNOW (YEA GIRL Y’ALL KNOW)
    THIS PIMP ISH GETS NO OLDER
    IS THAT A THREAT (WHAT'S ANOTHER THREAT)
    YEP (THAT'S ANOTHER THREAT)
    I'M IMMUNE, YOU CAN'T GET NO COLDER
    YOU GOT THE GREEN LIGHT (WHOA)
    YOU'RE THE KING, RIGHT (WHOA)
    YOU HOLDING UP TRAFFIC
    GREEN MEANS GO

    GO GO GO GO
    GO GO GO GO
    GO GO GO GO
    GO GO RED LIGHT
    I SAID YOU'RE HOLDING UP TRAFFIC, GREEN MEANS GO
    GREEN LIGHT

    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    GIVE IT TO MAMA

    OH NO PROBLEM, YOU CAN GO
    I'M GONNA FIND SOMEBODY ELSE
    IT'S ALRIGHT I'LL MOVE ALONG
    GREEN LIGHT SO YOU CAN
    GO…

    GO GO GO GO
    GO GO GO GO
    GO GO GO GO
    GO GO RED LIGHT (AH) GREEN LIGHT

    I GAVE ALL I COULD GIVE
    MY LOVE, MY HEART (MY HEART)
    NOW WE'RE FACING THE END (THE END) OF WHAT YOU DID FROM THE START
    MY LOVE

    YOU'RE HOLDING UP TRAFFIC, GREEN MEANS GO

    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    GIVE IT TO MAMA

    OH NO PROBLEM, YOU CAN GO
    I'LL GO FIND SOMEBODY ELSE
    IT'S ALRIGHT I'LL MOVE ALONG
    GREEN LIGHT SO YOU CAN
    GO…

    GO GO GO GO
    GO GO GO GO
    GO GO GO GO
    GO GO RED LIGHT (AH) GREEN LIGHT

    Green Light Credits

    WRITTEN BY BEYONCÉ KNOWLES, PHARRELL WILLIAMS AND SEAN GARRETT
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), WATERS OF NAZARETH PUBLISHING (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), TEAM S. DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI)

    PRODUCED BY THE NEPTUNES AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI AND ANDREW COLEMAN AT THE RECORD PLANT STUDIOS, LOS ANGELES, CA
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE

  • YOU KNOW I HATE SLEEPIN’ ALONE
    BUT YOU SAID THAT YOU WOULD SOON BE HOME
    BUT BABY THAT WAS ALONG TIME AGO
    I’M NOT FEELIN’ IT
    I’M NOT FEELIN’ IT

    ON TOP OF YOU NOT CALLIN ME BACK
    YOU SEE, I BET YOU THINK IT’S ALL ON TRACK
    AND YOU ACTIN’ LIKE ITS ALL OF THAT
    I’M NOT FEELIN’ IT
    I’M NOT FEELIN’ IT

    LET’S GO
    LET’S GO LITTLE KITTY KAT
    I THINK ITS TIME TO GO
    LET’S GO LITTLE KITTY KAT
    HE DON’T WANT NO MORE
    LET’S GO LITTLE KITTY KAT
    QUITE FRANKLY
    NO MORE GETTIN’ IT
    I’M NOT FEELIN IT

    IT’S LIKE WE AT TWO PLACES, BUT DIFFERENT PACES
    WE IN TROUBLE BUT YOU WON’T MEET ME AT THE BRIDGE
    IT HURTS, IT, FEELS DESERTED
    DID YOU FORGET WHERE YOUR HEART LIVES

    WHAT ABOUT MY BODY, BODY
    YOU DON’T WANT MY BODY, BODY
    ACTIN’ LIKE YOU DON’T KNOW NOBODY
    YOU GON’ MAKE ME CALL SOMEBODY
    WHAT ABOUT MY BODY, BODY
    WHAT ABOUT MY BODY, BODY
    YOU WOULD RATHER GO AND PARTY
    SOMEHOW, SOMEWHERE, I’LL BE NAUGHTY

    YOU KNOW I HATE SLEEPIN’ ALONE
    BUT YOU SAID THAT YOU WOULD SOON BE HOME
    BUT BABY THAT WAS A LONG TIME AGO
    I’M NOT FEELIN’ IT, I’M NOT FEELIN’ IT

    ON TOP OF YOU NOT CALLIN’ ME BACK
    YOU SEE, I BET YOU THINK IT’S ALL ON TRACK
    AND YOU ACTIN’ LIKE ITS ALL OF THAT
    I’M NOT FEELIN’ IT, I’M NOT FEELIN’ IT

    LET’S GO
    LET’S GO LITTLE KITTY KAT
    I THINK ITS TIME TO GO
    LET’S GO LITTLE KITTY KAT
    HE DON’T WANT NO MORE
    LET’S GO LITTLE KITTY KAT
    QUITE FRANKLY
    NO MORE GETTIN’ IT
    I’M NOT FEELIN’ IT

    MAKE A LEFT TO COMPASSION
    THE LIGHTS REALLY FLASHING
    KEEP STRAIGHT, AND YOU’LL SEE THE SIGN RIGHT THERE
    AFFECTION, IN THE WRONG DIRECTION
    IF I GET CAUGHT, SEE IT JUST SEEMS THAT YOU DON’T CARE

    WHAT ABOUT MY BODY, BODY
    YOU DON’T WANT MY BODY, BODY
    ACTIN’ LIKE YOU DON’T KNOW NOBODY
    YOU GON’ MAKE ME CALL SOMEBODY
    WHAT ABOUT MY BODY, BODY
    WHAT ABOUT MY BODY, BODY
    YOU WOULD RATHER GO AND PARTY
    SOMEHOW, SOMEWHERE, I’LL BE NAUGHTY

    YOU KNOW I HATE SLEEPIN’ ALONE
    BUT YOU SAID THAT YOU WOULD SOON BE HOME
    BUT BABY THAT WAS A LONG TIME AGO
    I’M NOT FEELIN’ IT, I’M NOT FEELIN’ IT

    ON TOP OF YOU NOT CALLIN’ ME BACK
    YOU SEE I BET YOU THINK IT’S ALL ON TRACK
    AND YOU ACTIN’ LIKE ITS ALL OF THAT
    YOUR SEX AIN’T ALL THAT
    I’M NOT FEELIN’ IT, I’M NOT FEELIN’ IT

    LET’S GO
    LET’S GO LITTLE KITTY KAT
    I THINK ITS TIME TO GO
    LET’S GO LITTLE KITTY KAT
    HE DON’T WANT NO MORE
    LET’S GO LITTLE KITTY KAT
    QUITE FRANKLY
    NO MORE GETTIN’ IT
    I’M NOT FEELIN’ IT

    I’M TAKIN’ BACK THE THINGS I GOT FROM YOU, YOU
    AND THAT INCLUDES MY SWEET LITTLE NOOKIE TOO, TOO
    LET’S GO, LET’S GO, LET’S GO LIL KITTY KAT, (KITTY KAT) HE DON’T WANT YOU ANYMORE (NO)
    LET’S GO, LET’S GO, LET’S GO LIL KITTY KAT, (KITTY KAT) HE DON’T WANT YOU ANYMORE (NO)

    ROCK DIAMONDS ON MY NECK, GOT DIAMONDS ON MY RECORDS
    SINCE SIXTEEN, I WAS COMIN’ DOWN RIDIN’ LEXUS
    HOW YOU GONNA NEGLECT THIS, YOU WAS JUST A HOT MESS
    YOU CAN CALL TYRONE, YOU AIN’T GOTS TO LIE CRAIG

    WHAT ABOUT MY BODY, BODY
    YOU DON’T WANT MY BODY, BODY
    I’M IN THE HOUSE ALL ALONE
    YOU’D RATHER GO AND PARTY
    WHAT ABOUT MY BODY, BODY
    YOU DON’T WANT MY BODY, BODY
    ACTIN’ LIKE I’M NOBODY
    YOU GON’ NEED TO CALL SOMEBODY

    LET’S GO
    LET’S GO LITTLE KITTY KAT
    I THINK ITS TIME TO GO
    LET’S GO LITTLE KITTY KAT
    HE DON’T WANT NO MORE
    LET’S GO LITTLE KITTY KAT
    QUITE FRANKLY
    NO MORE GETTIN’ IT
    I’M NOT FEELIN’ IT

    Kitty Kat Credits

    WRITTEN BY BEYONCÉ KNOWLES, PHARRELL WILLIAMS, SHAWN CARTER AND MAKEBA
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), WATERS OF NAZARETH PUBLISHING/EMI BLACKWOOD MUSIC, INC. (BMI)

    PRODUCED BY THE NEPTUNES AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED BY JIM CARUANA AND GEOFF RICE AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI AND ANDREW COLEMAN AT THE RECORD PLANT STUDIOS, LOS ANGELES, CA
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE

  • IT AIN’T FOR EVERYBODY (UH)
    WELCOME TO HOLLYWOOD BABY (TAKE A PICTURE)
    UH HUH
    YOU'RE COMING WITH (LET'S NOT EVEN TALK ABOUT IT)
    LET'S DO IT (LET'S GO)

    I SEE YOUR JEALOUSY AS YOU'RE WATCHING
    YOU'RE WATCHING
    IT'S KINDA SEXY TO ME HOW YOU'RE WATCHING
    YOU'RE WATCHING

    I SEE YOUR FACE (I SEE YOUR FACE)
    YOU WANNA TOUCH IT (YOU WANNA TOUCH IT)
    COME TO MY PLACE (COME TO MY PLACE)
    AND LET'S DISCUSS IT (LET'S CHOP IT UP)
    TONIGHT YOU'LL BE
    A SUPERSTAR
    COME LET ME SIGN YOU UP

    LET'S GET INTO IT

    OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
    ACTION (YOU NEED THAT)
    HOLLYWOOD
    OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
    SATISFACTION (YOU NEED THAT)
    HOLLYWOOD

    YOU GOTSTA TO GET IT
    OH OH OH OH
    OH OH OH
    DO YOU WANT IT
    OH OH OH OH
    OH OH OH
    BUT YOU DON'T NEED IT
    OH OH OH OH
    OH OH OH
    WHAT DO YOU DO
    OH OH OH
    WHAT DO YOU DO
    OH OH OH
    HEY

    I SEE YOUR FACE (I SEE YOUR FACE)
    YOU WANNA TOUCH IT (YOU WANNA TOUCH IT)
    COME TO MY PLACE (COME TO MY PLACE)
    AND LET'S DISCUSS IT (LET'S CHOP IT UP)
    TONIGHT YOU'LL BE
    A SUPERSTAR
    COME LET ME SIGN YOU UP

    OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
    ACTION (YOU NEED THAT)
    HOLLYWOOD
    OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
    SATISFACTION (YOU NEED THAT)
    HOLLYWOOD

    COME ON, COME ON, COME ON
    YOU HEAR IT SCREAMING
    OH OH OH OH
    OH OH OH
    CAMERA'S ROLLING
    OH OH OH OH
    OH OH OH
    YOU SO ADDICTIVE
    OH OH OH OH
    OH OH OH
    LIKE HOLLYWOOD (NOTHING LIKE HOLLYWOOD)
    OH OH OH OH
    OH OH OH

    AND EVERYBODY’S WARNING YOU ABOUT IT
    AND ONCE YOU TASTE IT, YOU CAN'T LIVE WITHOUT IT
    NOT 'CAUSE YOU CHOOSE TO NOT LIVE WITHOUT IT
    IT'S NOW A PART OF YOU (IT'S NOW A PART OF YOU)
    AND EVERYBODY’S WARNING YOU ABOUT IT
    AND ONCE YOU TASTE IT, YOU CAN'T LIVE

    OOH IT'S THE LIGHTS (IT'S THE LIGHTS)
    ACTION (ACTION)
    HOLLYWOOD (HOLLYWOOD)
    OOH IT'S THE LIGHTS (SATISFACTION)
    SATISFACTION (SO ADDICTIVE)
    (HEY) HOLLYWOOD

    NOW YOU WANNA BE SEEN
    MALE GROUPIES
    NOW YOU BECOME WHAT YOU ONCE DESPISED
    JAMES DEAN
    DON BELUSHI
    BLOW YOUR WHOLE LIFE
    TRYNA LIVE IN THE LIGHTS
    HEROIN’S FOLLOWING MARILYN
    HOPPIN' OVER THE EDGES
    JUST LIKE JANICE JOPLIN
    RIVER PHOENIX
    JIMI HENDRIX
    JAMIE MORRISON
    ALL OF THEM ENDED BY
    HOLLYWOOD

    I SEE YOUR FACE AND A YOU WANNA TOUCH IT, YEAH
    COME TO MY PLACE AND WE CAN DISCUSS IT

    HOLLYWOOD, WELCOME TO HOLLYWOOD

    Welcome To Hollywood Credits

    WRITTEN BY SHAWN CARTER, R. PERRY, S. SMITH AND BEYONCÉ KNOWLES
    PUBLISHED BY 2006 CARTER BOYS MUSIC (ASCAP), REGGIE PERRY MUSIC (ASCAP), SUPER SAYIN PUBLISHING (BMI). ADMINISTERED BY ZOMBA MUSIC PUBLISHING, B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP

    PRODUCED BY SYIENCE FOR STAYFRESH MUSIC, INC./ROKKWORLD MUSIC GROUP AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED BY GIMEL “YOUNG GURU” KEATON FOR LOREAL INC. AT SONY STUDIOS, NYC
    ASSISTED BY JASON AGEL AND LB FOR MUSIC WORLD PRODUCTIONS, INC. AT ROC THE MIC STUDIOS, NYC
    MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
    MASTERED BY TOM COYNE AT STERLING SOUND, NYC 

  • YEAH B
    TALK YO’ SHIT (PARTNER LET ME UPGRADE, UPGRADE YOU)
    HOW YOU GONNA UPGRADE ME
    WHAT’S HIGHER THAN NUMBER ONE
    YOU KNOW I USED TO BEAT THAT BLOCK
    NOW I BE’S THE BLOCK

    PARTNER LET ME UPGRADE (UPGRADE)

    I HEAR YOU BE THE BLOCK
    BUT I’M THE LIGHTS THAT KEEP THE STREETS ON
    NOTICE YOU THE TYPE THAT LIKE TO KEEP ‘EM ON A LEASH THOUGH
    I’M KNOWN TO WALK ALONE
    BUT I’M ALONE FOR A REASON
    SENDING ME A DRINK AIN’T APPEASIN’
    BELIEVE ME
    COME HARDER, THIS WON’T BE EASY
    DON’T DOUBT YOURSELF, TRUST ME YOU NEED ME
    THIS AIN’T NO SHOULDER WITH A CHIP OR A EGO
    WHAT YOU THINK THEY ALL MAD AT ME FOR

    YOU NEED A REAL WOMAN IN YOUR LIFE
    THAT’S A GOOD LOOK
    TAKING CARE, HOME IS STILL FLY
    THAT’S A GOOD LOOK
    I’M-A HELP YOU BUILD UP YOUR ACCOUNT
    THAT’S A GOOD LOOK
    BETTER YET A HOOD LOOK (BELIEVE ME)
    LADIES THAT’S A GOOD LOOK
    WHEN YOU IN THEM BIG MEETINGS FOR THE MILLS
    TAKE ME JUST TO COMPLIMENT THE DEAL
    THAT’S A GOOD LOOK
    ANYTHING YOU COP I’LL SPLIT THE BILL
    THAT’S A GOOD LOOK
    BETTER YET A HOOD LOOK (BELIEVE ME)
    LADIES THAT’S A GOOD LOOK

    PARTNER LET ME UPGRADE YA
    AUDEMARS PIGUET YA
    SWITCH YOUR NECKTIES TO PURPLE LABELS
    UPGRADE YA
    I CAN UP, CAN I UP
    LET ME UPGRADE YA
    PARTNER LET ME UPGRADE YOU

    PARTNER LET ME UPGRADE YA
    FLIP A NEW PAGE
    INTRODUCE YOU TO SOME NEW THINGS AND
    UPGRADE YA
    I CAN UP, CAN I UP
    LET ME UPGRADE YA
    PARTNER LET ME UPGRADE YOU
    I CAN DO FOR YOU WHAT MARTIN DID FOR THE PEOPLE
    RAN BY THE MEN, BUT THE WOMEN KEEP THE TEMPO
    IT’S VERY SELDOM THAT YOU’RE BLESSED TO FIND YOUR EQUAL
    STILL PLAY MY PART AND LET YOU TAKE THE LEAD ROLE, BELIEVE ME
    I’LL FOLLOW, THIS COULD BE EASY
    I’LL BE THE HELP WHENEVER YOU NEED ME
    I SEE YOU ON YOUR HUSTLE, WITH MY HUSTLE I CAN KEEP YOU
    FOCUSED ON YOUR FOCUS, I CAN FEED YOU

    YOU NEED A REAL WOMAN IN YOUR LIFE
    THAT’S A GOOD LOOK
    TAKING CARE, HOME IS STILL FLY
    THAT’S A GOOD LOOK
    I CAN HELP YOU BUILD UP YOUR ACCOUNT
    THAT’S A GOOD LOOK
    BETTER YET A HOOD LOOK
    LADIES THAT’S A GOOD LOOK
    WHEN YOU IN THE BIG MEETINGS FOR THE MILLS
    TAKE ME JUST TO COMPLIMENT THE DEAL
    THAT’S A GOOD LOOK
    ANYTHING YOU COP, I’LL SPLIT THE BILL
    THAT’S A GOOD LOOK
    BETTER YET A HOOD LOOK
    LADIES THAT’S A GOOD LOOK
    BELIEVE ME I CAN UPGRADE YOU

    PARTNER LET ME UPGRADE YA
    AUDEMARS PIGUET
    YOU SWITCH YOUR NECKTIES TO PURPLE LABELS
    UPGRADE YA
    I CAN UP, CAN I UP
    LET ME UPGRADE YA
    PARTNER LET ME UPGRADE YOU

    PARTNER LET ME UPGRADE YA
    FLIP A NEW PAGE, INTRODUCE YOU TO SOME NEW THINGS AND
    UPGRADE YA
    I CAN UP, CAN I UP
    LET ME UPGRADE YA
    PARTNER LET ME UPGRADE YOU

    I BE’S THE D BOY WHO INFILTRATED ALL THE CORPORATE DUDES
    THEY CALL SHOTS, I CALL AUDIBLES
    JACOB THE JEWELER BAUBLES
    LORRAINE SCHWARTZ SORTA DUDE
    IT’S BIG BALLIN’ BABY WHEN I’M COURTIN’ YOU
    I’M TALKIN’ SPA BAGS AND FLY PADS AND
    ROOMS AT THE BLOOMBERG
    AND RUMORS YOU ON THE VERGE OF A NEW MARRIAGE
    ‘CAUSE THAT ROCK ON YA FINGER’S LIKE A TUMOR
    YOU CAN’T FIT YA HAND IN YA NEW PURSE
    IT’S HUMOROUS TO ME THEY WATCHIN’ AND WE JUST YATCHIN’
    ISLAND HOPPING OFF THE ALMAFI COAST
    MAFIOSO, OH BABY YOU EVER SEEN SATURN
    NO, NOT THE CAR BUT EVERYWHERE WE ARE
    YOU SURE TO SEE STARS, THIS IS HIGH LEVEL, NOT EYE LEVEL
    MY BEZEL, COURTESY OF AUDEMARS
    I ORDER YOURS TOMORROW
    NOW LOOK AT THE TIME I SAVED YA
    MAMA LET ME UPGRADE YA
    JUST WHEN YOU THINK YOU HAD IT ALL
    BIG ENDS, CONDOS, COLLECTING CARS
    PICTURE YOUR LIFE ELEVATED WITH ME
    YOU MY PROJECT CELEBRITY
    I KEEP YA NAME HOT IN THOSE STREETS
    THAT LITTLE GLIMPSE OF LIFE
    THAT MAKES THAT DIAMOND REALLY SHINE
    AND YOU ALREADY IS A STAR
    UNLESS YOU’RE FLAWLESS
    THEN YA DYNASTY WITHOUT A CHIEF LIKE ME

    PARTNER LET ME UPGRADE YA
    BOTTOM OF THE PAGE
    YOU SWITCH YOUR NECKTIES TO PURPLE LABELS
    UPGRADE YA
    I CAN UP, CAN I UP
    LET ME UPGRADE YA
    PARTNER LET ME UPGRADE YOU

    PARTNER LET ME UPGRADE YA
    FLIP A NEW PAGE
    INTRODUCE YOU TO SOME NEW THINGS AND
    UPGRADE YA
    I CAN UP, CAN I UP
    LET ME UPGRADE YA
    PARTNER LET ME UPGRADE YOU

    AUDEMARS PIGUET WATCH
    DIMPLES IN YA NECK TIE
    HERMES BRIEFCASE
    CARTIER TOP CLIPS
    SILK LINED BLAZERS
    DIAMOND CREAMED FACIALS
    VVS CUFF LINKS
    6 STAR PENT SUITES
    PARTNER LET ME UPGRADE YA, GRADE YA
    PARTNER, PARTNER LET ME UPGRADE YA, GRADE YA
    LET ME, LET ME, LET ME UPGRADE YA, GRADE YA
    PARTNER, PARTNER, PARTNER LET ME UPGRADE YA

    Upgrade U Credits

    WRITTEN BY BEYONCÉ KNOWLES, SOLANGE KNOWLES, MK, MAKEBA, SEAN GARRETT, ANGELA BEYINCE, JAY-Z, WILLIE CLARKE AND CLARENCE REID
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), SOLANGE MWP PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC/MUSIC WORLD PUBLISHING (ASCAP), MAKEBA YOGA FLAMES MUSIC (BMI), JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI), ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), CARTER BOYS PUBLISHING (ASCAP) EMI LONGITUDE MUSIC (BMI)

    PRODUCED BY CAMERON WALLACE FOR BACK BLOCK PRODUCTIONS AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
    ADDITIONAL PRODUCTION BY KASSEEM “SWIZZ BEATZ” DEAN FOR SWIZZ BEATZ PRODUCTIONS, INC.

    RAP PERFORMED BY JAY-Z
    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE
    CONTAINS SAMPLES FROM THE COMPOSITION “GIRLS CAN’T DO WHAT THE GUYS DO” WRITTEN BY WILLIE CLARKE AND CLARENCE REID
    FEATURING SAMPLES FROM THE BETTY WRIGHT RECORDING “GIRLS CAN’T DO WHAT THE GUYS DO (AND STILL BE A LADY)” PRODUCED UNDER LICENSE FROM ATLANTIC RECORDING CORP. BY ARRANGEMENT WITH RHINO ENTERTAINMENT, A WARNER MUSIC GROUP COMPANY 

  • I'M A TRAIN WRECK IN THE MORNING
    I'M A BITCH IN THE AFTERNOON
    EVERY NOW AND THEN WITHOUT WARNING
    I CAN BE REALLY MEAN TOWARDS YOU

    I'M A PUZZLE YES IN DEED
    EVER COMPLEX IN EVERY WAY
    AND ALL THE PIECES AREN'T EVEN IN THE BOX
    AND YET, YOU SEE THE PICTURE CLEAR AS DAY

    I DON'T KNOW WHY YOU LOVE ME
    AND THAT'S WHY I LOVE YOU
    CATCH ME WHEN I FALL
    ACCEPT ME FLAWS AND ALL
    AND THAT'S WHY I LOVE YOU
    AND THAT'S WHY I LOVE YOU
    AND THAT'S WHY I LOVE YOU

    I NEGLECT YOU WHEN I'M WORKING
    WHEN I NEED ATTENTION, I TEND TO NAG
    I'M A HOST OF IMPERFECTION
    AND YOU SEE PAST ALL THAT
    I'M A PEASANT BY SOME STANDARDS
    BUT IN YOUR EYES, I'M A QUEEN
    YOU SEE POTENTIAL IN ALL MY FLAWS
    AND THAT'S EXACTLY WHAT I MEAN

    I DON'T KNOW WHY YOU LOVE ME
    AND THAT'S WHY I LOVE YOU
    YOU CATCH ME WHEN I FALL
    ACCEPT ME FLAWS AND ALL
    AND THAT'S WHY I LOVE YOU
    AND THAT'S WHY I LOVE YOU
    AND THAT'S WHY I LOVE YOU

    I DON'T KNOW WHY YOU LOVE ME
    AND THAT'S WHY I LOVE YOU
    CATCH ME WHEN I FALL
    ACCEPT ME FLAWS AND ALL
    AND THAT'S WHY I LOVE YOU
    AND THAT'S WHY I LOVE YOU
    AND THAT'S WHY I LOVE YOU

    Flaws and All Credits

    WRITTEN BY S. SMITH, S. TAYLOR, BEYONCÉ KNOWLES AND SOLANGE KNOWLES
    PUBLISHED BY N 22ND PUBLISHING, CHERRY LANE PUB. (ASCAP)SUPER SAYIN/ZOMBA MUSIC PUBLISHING (BMI), B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/SOLANGE MW PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC.

    PRODUCED BY SHEA TAYLOR FOR STADIUM PRODUCTIONS LLC/COMPOUND ENTERTAINMENT LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
    CO-PRODUCED BY NE-YO FOR COMPOUND ENTERTAINMENT LLC.

    RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT “LB” DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
    MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
    DIGITAL PREP ENGINEER: COLIN MILLER
    MASTERED BY TOM COYNE AT STERLING SOUND, NYC

  • World Wide Woman Credits

  • 9 – 4 – 8 – 1
    B'DAY

    MISSION ONE
    I'M-A PUT THIS ON
    WHEN HE SEE ME IN THE DRESS, I'M-A GET ME SOME (HEY)

    MISSION TWO
    GOTTA MAKE THAT CALL
    TELL HIM GET THE BOTTLES POPPIN' WHEN THEY PLAY MY SONG (HEY)

    MISSION THREE
    GOT MY THREE BEST FRIENDS
    LIKE WE DO IT ALL THE TIME, WE GON’ DO IT AGAIN (HEY)

    MISSION FOUR
    GOT THE VINTAGE ROLLS
    DROP A COUPLE HUNDREDS, TELL HIM LEAVE IT AT THE DOOR

    I AIN'T WORRIED DOING ME TONIGHT
    A LITTLE SWEAT AIN'T NEVER HURT NOBODY
    WHILE Y’ALL STANDIN' ON THE WALL
    I'M THE ONE TONIGHT
    GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED
    WANT MY BODY
    WON'T YOU GET ME BODIED
    YOU WANT MY BODY
    WON'T YOU GET ME BODIED (HEY)

    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    WON'T YOU SING MY BODY
    I WANT TO LET IT OUT TONIGHT
    WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

    MISSION FIVE
    SKIP TO THE FRONT OF THE LINE
    LET ME FIX MY HAIR UP 'FORE I GO INSIDE (HEY)

    MISSION SIX
    GOTTA CHECK THESE CHICKS
    'CAUSE YOU KNOW THEY GONE BLOCK WHEN I TAKE THESE FLICKS (HEY)

    MISSION SEVEN
    GOTTA MAKE MY ROUNDS
    GIVEN EYES TO THE GUYS NOW I THINK I FOUND HIM (HEY)
    MISSION EIGHT
    NOW WE CONVERSATIN’
    WE CAN SKIP SMALL TALK, LET'S GET RIGHT TO THE CHASE (HEY)

    I AIN'T WORRIED DOING ME TONIGHT
    A LITTLE SWEAT AIN'T NEVER HURT NOBODY
    WHILE Y’ALL STANDIN' ON THE WALL
    I'M THE ONE TONIGHT
    GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED
    WANT MY BODY
    WON'T YOU GET ME BODIED
    YOU WANT MY BODY
    WON'T YOU GET ME BODIED (HEY)

    YOU SHOULD SEE MY BODY
    I GOTTA KNOW ENOUGH TO KNOW IF YOU CAN GET ME BODIED
    I'M KINDA TIGHT, I'M FEELING RIGHT ENOUGH TO SEE SOMEBODY
    I WANNA LET IT OUT TONIGHT
    WANNA DANCE, WANNA PARTY, WANNA BE MYSELF TONIGHT

    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    WON'T YOU SING MY BODY
    I WANT TO LET IT OUT TONIGHT
    WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

    BABY ALL I WANT IS TO LET IT GO
    AIN'T NO WORRIES, OH
    WE CAN DANCE ALL NIGHT
    GET ME BODIED
    THAT MEANS COME CLOSER TO ME
    WHILE WE GRIND TO THE BEAT
    AND YOUR BODY'S TOUCHING MY BODY
    ALL I NEED IS TO LET IT BE
    AIN'T NO WORRY, NO
    BOY DANCE WITH ME
    FEEL MY BODY
    STOP JUST COME CLOSER TO ME
    WHILE WE GRIND TO THE BEAT
    WITH YOUR BODY TOUCHING MY BODY

    GETTIN’ BODIED
    AIN'T NO SHAME 'CAUSE I GOTTA GET MINE
    I SWING MY HAIR, KICK OFF MY SHOES
    COME HER BOY LET ME WORK ON YOU

    I AIN'T WORRIED DOING ME TONIGHT
    A LITTLE SWEAT AIN'T NEVER HURT NOBODY
    WHILE Y’ALL STANDIN' ON THE WALL
    I'M THE ONE TONIGHT
    GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED
    WANT MY BODY
    WON'T YOU GET ME BODIED
    YOU WANT MY BODY
    WON'T YOU GET ME BODIED (HEY)

    LADIES ON THE FLOOR, ALL MY LADIES ON THE FLOOR
    IF YOU READY, GET IT READY
    LETS GET IT AND DROP IT
    DROP DOWN LOW AND SWEEP THE FLOOR WIT’ IT
    DROP DROP DOWN LOW AND SWEEP THE FLOOR WIT’ IT
    DROP DOWN LOW AND SWEEP THE FLOOR WIT’ IT
    DROP DROP DOWN LOW AND SWEEP THE FLOOR WIT’ IT
    DO THE UH OH, DO THE UH OH, DO THE UH OH UH OH UH OH OH NO NO
    UH OH DO THE UH OH DO THE UH OH UH OH UH OH OH NO NO
    PAT YOUR WEAVES LADIES
    PAT PAT PAT YOUR WEAVES LADIES
    WATCH IT WHILE HE CHECK UP ON IT
    PAT YOUR WEAVES LADIES
    PAT PAT YOUR WEAVES LADIES
    WATCH IT WHILE HE CHECK UP ON IT
    TICK TICK TICK TICK FIGHT
    NOW TICK TICK TICK TICK TICK TICK FIGHT
    NOW TICK TICK TICK TICK FIGHT
    NOW TICK TICK TICK TICK TICK TICK FIGHT
    NOW POSE FOR THE CAMERA NOW, FLICK FLICK
    POSE FOR THE CAMERA NOW, FLICK FLICK
    POSE FOR THE CAMERA NOW FLICK FLICK
    POSE FOR THE CAMERA NOW FLICK FLICK
    DO AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, DO AN OLD SCHOOL
    DO AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, GET OLD SCHOOL
    STOP NOW, COOL OFF, COOL OFF, COOL OFF, COOL OFF
    DROP AND COOL OFF, COOL OFF, COOL OFF, COOL OFF
    WIND IT BACK GIRL, WIND IT BACK GIRL, MAKE YOUR HAIR TOUCH THE FLOOR, WIND IT BACK
    WIND IT BACK GIRL, WIND IT BACK GIRL, MAKE YOUR HAIR TOUCH THE FLOOR, WIND IT BACK
    DROP TO YOUR KNEES, ARCH YOUR BACK GIRL, SHAKE SHAKE IT LIKE THAT ALLEY CAT
    DROP DROP TO YOUR KNEES, ARCH YOUR BACK GIRL, SHAKE SHAKE IT LIKE THAT ALLEY CAT
    SHAKE YA DERRIERE IN THEM DERÉON’S
    SHAKE SHAKE YA DERRIERE IN THEM HOUSE OF DERÉON
    SHAKE YA DERRIERE IN THEM DERÉON’S
    SHAKE SHAKE YA DERRIERE IN THEM HOUSE OF DERÉON
    DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
    DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
    DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
    DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
    DO THE NAOMI CAMPBELL WALK, NAOMI CAMPBELL WALK
    WALK ACROSS THE ROOM LIKE NAOMI CAMPBELL
    DO THE NAOMI CAMPBELL WALK, NAOMI CAMPBELL WALK
    WALK ACROSS THE ROOM LIKE NAOMI CAMPBELL
    SNAP FOR THE KIDS, SNAP FOR THE KIDS
    SNAP IN A CIRCLE THREE TIMES
    SNAP FOR THE KIDS, SNAP FOR THE KIDS
    SNAP IN A CIRCLE THREE TIMES
    I TOUCH YA BODY, WHILE YA TOUCH MY BODY
    WE TOUCHIN’ BODIES TONIGHT
    WE GETTIN’ BODIED
    I TOUCH YA BODY, WHILE YA TOUCH MY BODY
    WE TOUCHIN’ BODIES TONIGHT
    WE GETTIN’ BODIED
    GETTIN’ BODIED (GETTIN’ BODIED)
    GETTIN’ BODIED (GETTIN’ BODIED)
    GETTIN’ BODIED (I’M THE ONLY ONE TONIGHT)
    GETTIN’ BODIED (GETTIN’ BODIED)
    WANT MY BODY (GET ME BODY)
    WON’T YA GET ME BODY (GET ME BODY)
    YOU WANT MY BODY (I’M THE ONLY ONE TONIGHT)
    WON’T YA GET ME BODIED (GET ME BODIED)
    HEY

    Get Me Bodied (Extended Mix) Credits

    WRITTEN BY S. SMITH, S. TAYLOR, BEYONCÉ KNOWLES AND SOLANGE KNOWLES
    PUBLISHED BY N 22ND PUBLISHING, CHERRY LANE PUB. (ASCAP)SUPER SAYIN/ZOMBA MUSIC PUBLISHING (BMI), B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/SOLANGE MW PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC.

    PRODUCED BY SHEA TAYLOR FOR STADIUM PRODUCTIONS LLC/COMPOUND ENTERTAINMENT LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
    CO-PRODUCED BY NE-YO FOR COMPOUND ENTERTAINMENT LLC.

    RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT “LB” DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
    MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
    DIGITAL PREP ENGINEER: COLIN MILLER
    MASTERED BY TOM COYNE AT STERLING SOUND, NYC

  • If Credits

  • TO BE OR NOT TO BE
    NOT
    HOLD UP
    BRING THE BEAT BACK
    STOP, I AIN’T READY YET
    WAIT, LET ME FIX MY HAIR (YES, YES)
    YES MA’AM (YES MA’AM)
    YES

    I THINK I’M READY
    BEEN LOCKED UP IN THE HOUSE WAY TOO LONG
    IT’S TIME TO GET IT
    ‘CAUSE ONCE AGAIN HE’S OUT DOING WRONG
    AND MY GIRLS ARE SO REAL
    SAID IT’S BEEN A MINUTE SINCE I HAD SOME
    HE’S BEEN ACTIN’ UP
    BUT HE WON’T BE THE ONLY ONE

    ‘CAUSE WHEN THEY ACT WRONG
    THAT’S WHEN YOU PUT IT ON
    GET ‘EM UPTIGHT, THIS IS YOUR SONG
    POKE OUT YA BACK, TIME TO IMPRESS
    PULL OUT YOUR FREAKUM DRESS

    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON

    EVERY WOMAN GOT ONE
    SHUT IT DOWN WHEN THE TIME COMES
    SO PULL OUT THE BIG GUNS
    AND PUT YOUR FREAKUM DRESS ON

    SOON AS HE SAW ME
    TURNED ON BY HOW THE DRESS WAS FITTIN’ RIGHT
    SHORT AND BACKLESS (BACKLESS)
    SEE MY SILHOUETTE IN THE MOONLIGHT
    SUCH AN ATTRACTION
    KEEP TELLING ME HOW MY OUTFIT’S SO NICE
    LITTLE DID HE KNOW
    MY MAN GON’ TAKE IT OFF TONIGHT

    ‘CAUSE WHEN THEY ACT WRONG
    THAT’S WHEN YOU PUT IT ON
    GET ‘EM UPTIGHT, THIS IS YOUR SONG
    POKE OUT YA BACK, TIME TO IMPRESS
    PULL OUT YOUR FREAKUM DRESS

    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON

    EVERY WOMAN GOT ONE
    SHUT IT DOWN WHEN THE TIME COMES
    SO PULL OUT THE BIG GUNS
    AND PUT YOUR FREAKUM DRESS ON

    ALL THE LADIES
    YOUR WEAVES DID
    ALL DRESSED UP IN YOUR DRESSES
    AND YOUR BESTEST FOR NO REASON
    GET READY TO FREAKUM FREAKUM

    BEFORE YOU PUT IT ON, IT’S AN INVITATION
    WHEN I PLAY A SONG, GET ON UP AND SHAKE IT
    POKIN’ OUT YOUR BACK, YOU DON’T HAVE TO WASTE IT
    SPINNIN’ ALL AROUND, THEN TAKE IT TO THE GROUND AND…
    (2X)

    ‘CAUSE WHEN THEY ACT WRONG
    THAT’S WHEN YOU PUT IT ON
    GET ‘EM UPTIGHT, THIS IS YOUR SONG
    POKE OUT YA BACK, TIME TO IMPRESS
    PULL OUT YOUR FREAKUM DRESS

    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON

    EVERY WOMAN GOT ONE
    SHUT IT DOWN WHEN THE TIME COMES
    SO PULL OUT THE BIG GUNS
    AND PUT YOUR FREAKUM DRESS ON

    LADIES LOOK IT HERE
    WHEN YOU BEEN WITH YOUR MAN FOR A LONG TIME
    EVERY NOW AND THEN YOU GOTTA GO BACK IN THE CLOSET AND PULL OUT THAT FREAKUM DRESS

    I GOT MY FREAKUM DRESS ON
    I GOT MY FREAKUM DRESS ON
    I GOT MY FREAKUM DRESS ON
    I GOT MY FREAKUM DRESS ON

    Freakum Dress Credits

    WRITTEN BY BEYONCÉ KNOWLES, RICH HARRISON, ANGELA BEYINCE AND MAKEBA
    PUBLISHED BY B-DAY PUBLISHING/WMI MUSIC PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC, INC. (BMI) OBO ITSELF AND DAM RICH (BMI), ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI)

    PRODUCED BY RICH HARRISON FOR RICHCRAFT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI AND JAMIE ROSENBERG AT GREAT DIVIDE STUDIOS, ASPEN, CO
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND RICH HARRISON FOR RICHCRAFT, INC. AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE

  • DAMN THAT WAS SO GOOD
    I WANNA BUY HIM A SHORT SET

    I’M-A BE LIKE A JOLLY RANCHER
    THAT YOU GET FROM THE CORNER STORE
    OR I’M-A BE LIKE A WAFFLE CONE
    THAT’S DRIPPIN’ DOWN TO THE FLOOR
    THE WAY YOU DO IT FOR ME, I CAN’T LIE (LIE)
    ‘BOUT TO BE UP IN THE MALL ALL NIGHT (YES)
    WHATEVER I GET, YA PUTTIN’ IT ON (YES)
    DON’T GIVE ME NO LIP, LET MAMA DO IT ALL

    LET ME BE, I WANTS TO BE, GOTSTA BE
    YOUR SUGA, GIVE MAMA SOME SUGA MAMA
    SUGA MA, MA, MA, MA
    I’M YOUR (SUGA MAMA) SUGA MAMA

    LET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
    NEW WHIP, NEW HEAVY ON THE WRIST
    ‘CAUSE IM-A…
    SUGA MA, MA, MA, MA
    I’M YOUR, SUGA MAMA (SUGA MAMA)

    HEY, HEY, SIT ON MAMA LAP
    HEY, HEY, COME SIT ON MAMA LAP
    HEY, COME SIT ON MAMA LAP
    HEY, HEY, COME SIT ON MAMA LAP

    IT’S SO GOOD TO THE POINT THAT I’D DO ANYTHING TO KEEP YOU HOME
    BABY WHAT YOU WANT ME TO BUY
    MY ACCOUNTANT’S WAITING ON THE PHONE (ON THE PHONE)
    JUST THE THOUGHT OF MAKIN’ LOVE TO YOU (YOU)
    DROPPIN’ EVERYTHING, THAT’S WHAT I’LL DO (I’LL DO)
    WHATEVER I GET, YA PUTTING IT ON (BOY)
    NOW TAKE IT OFF, WHILE I WATCH YOU PERFORM

    LET ME BE, I WANTS TO BE, GOTSTA BE
    YOUR SUGA, GIVE MAMA SOME SUGA MAMA
    SUGA MA, MA, MA, MA
    I’M YOUR (SUGA MAMA) SUGA MAMA

    LET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
    NEW WHIP, NEW HEAVY ON THE WRIST
    ‘CAUSE IM-A…
    SUGA MA, MA, MA, MA
    I’M YOUR, SUGA MAMA (SUGA MAMA)

    SIT ON MAMA LAP
    HEY, HEY, COME SIT ON MAMA LAP
    HEY, COME SIT ON MAMA LAP
    HEY, HEY, COME SIT ON MAMA LAP

    AND I, ALWAYS BEEN THE TYPE TO TAKE CARE OF MINE
    I KNOW JUST WHAT I’M DOING
    DON’T YOU WORRY IT’S COOL AND EVERYTHING IS STEADY
    CLAIMED YOU ON MY TAXES ALREADY, YEAH YEAH YEAH
    I PROMISE I WON’T LET NO BILLS GET BEHIND
    ‘CAUSE EVERY TOUCH, EVERY KISS, AND HUG
    BEST BELIEVE IT’LL BE ON TIME
    SUGA MAMA

    LET ME BE, I WANTS TO BE, GOTSTA BE
    YOUR SUGA, GIVE MAMA SOME SUGA MAMA
    SUGA MA, MA, MA, MA
    I’M YOUR (SUGA MAMA) SUGA MAMA

    LET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
    NEW WHIP, NEW HEAVY ON THE WRIST
    ‘CAUSE IM-A…
    SUGA MA, MA, MA, MA
    I’M YOUR, SUGA MAMA (SUGA MAMA)

    SIT ON MAMA LAP
    HEY, HEY, COME SIT ON MAMA LAP
    HEY, COME SIT ON MAMA LAP
    HEY, HEY, COME SIT ON MAMA LAP
    (2X)

    Suga Mama Credits

    WRITTEN BY BEYONCÉ KNOWLES, RICH HARRISON, MAKEBA AND CHUCK MIDDLETON
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC, INC. (BMI) OBO ITSELF AND DAM RICH (BMI)/MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), MUTT MUSIC (BMI)

    PRODUCED BY RICH HARRISON FOR RICHCRAFT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND RICH HARRISON FOR RICHCRAFT, INC. AT SONY MUSIC STUDIOS, NY C
    ASSISTED BY STEVE TOLLE
    CONTAINS EXCERPTS FROM “SEARCHING FOR SOUL” WRITTEN BY CHUCK MIDDLETON, PUBLISHED BY MUTT MUSIC (BMI) AND RECORDED BY J. WADE AND THE SOUL SEARCHERS. COURTESY OF UBIQUITY RECORDS. USED BY PERMISSION. 

  • BASS (UGH)
    HIGH HAT (UGH)
    808 (UGH)
    JAY (AH HA … READY … AH HA …)
    LET’S GO GET ‘EM (AH HA … C’MON)

    I USE TO RUN BASS BY LIKE JUAN PIERRE
    BUT NOW I RUN THE BASS, HIGH HAT AND THE SNARE
    I USE TO BAG GIRLS LIKE BIRKIN BAGS
    NOW I BAG B (BOY YOU HURTIN’ THAT)
    BROOKLYN BE WHERE THEY BIRTH ME AT
    NOW I BE EVERYWHERE – THE NERVE OF RAP
    THE AUDACITY TO HAVE ME WITH THEM CURTAINS BACK
    ME AND B, SHE ABOUT TO STEAM, STAND BACK

    BABY
    SEEMS LIKE EVERYWHERE I GO, I SEE YOU
    FROM YOUR EYES I SMILE, IT’S LIKE I BREATHE YOU
    HELPLESSLY I REMINISCE, DON’T WANT TO
    COMPARE NOBODY TO YOU

    BOY I TRY TO CATCH MYSELF
    BUT I’M OUTTA CONTROL
    YOUR SEXINESS IS SO APPEALING
    I CAN’T LET IT GO

    YOU KNOW THAT I CAN’T GET OVER YOU
    ‘CAUSE EVERYTHING I SEE IS YOU
    AND I DON’T WANT NO SUBSTITUTE
    BABY I SWEAR IT’S DEJA VU

    YOU KNOW THAT I CAN’T GET OVER YOU
    ‘CAUSE EVERYTHING I SEE IS YOU
    AND I DON’T WANT NO SUBSTITUTE
    BABY I SWEAR IT’S DEJA VU

    I’M SEEING
    THINGS THAT I KNOW CAN’T BE
    AM I DREAMING
    WHEN I SAW YOU WALKING PAST ME
    ALMOST CALLED YOUR NAME
    GOT A BETTER GLIMPSE AND THEN I LOOKED AWAY
    IT’S LIKE I’M LOSING IT

    BOY I TRY TO CATCH MYSELF
    BUT I’M OUTTA CONTROL
    YOUR SEXINESS IS SO APPEALING
    I CAN’T LET IT GO

    YOU KNOW THAT I CAN’T GET OVER YOU
    ‘CAUSE EVERYTHING I SEE IS YOU
    AND I DON’T WANT NO SUBSTITUTE
    BABY I SWEAR IT’S DEJA VU

    YOU KNOW THAT I CAN’T GET OVER YOU
    ‘CAUSE EVERYTHING I SEE IS YOU
    AND I DON’T WANT NO SUBSTITUTE
    BABY I SWEAR IT’S DEJA VU

    YES
    HOVA’S FLOW
    SO UNUSUAL
    BABY GIRL YOU SHOULD ALREADY KNOW
    IT’S H – O
    LIGHT UP THE DRO
    ‘CAUSE YOU GONNA NEED HELP TRYNA STUDY MY
    BOUNCE
    FLOW BLOW
    WHAT THE DIFFERENCE
    ONE YOU TAKE IN VEIN
    WHILE THE OTHER YOU SNIFFIN’
    IT’S STILL DOPE
    PO-PO TYRNA CONVICT ‘EM
    THAT A NO-GO
    MY DOUGH KEEPS THE SCALES TIPPIN’
    LIKE 4 4’S
    LIKE I’M FROM THE H-O-U-S-T-O-N
    BLOW – WIND – SO CHICAGO OF HIM
    IS HE THE BEST EVER
    THAT THE ARGU-A-MENT
    I DON’T MAKE THE LIST
    DON’T BE MAD AT ME
    I JUST MAKE THE HITS LIKE A FACTORY
    I’M JUST ONE TO ONE
    NOTHIN’ AFTER ME
    NO DEJA VU
    JUST ME AND MY (OHH)

    BABY I CAN’T GO ANYWHERE
    WITHOUT THINKING THAT YOU’RE THERE
    SEEMS LIKE YOUR EVERYWHERE IT’S TRUE
    GOTTA BE HAVING DEJA VU
    ‘CAUSE IN MY MIND, I WANT YOU HERE
    GET ON THE NEXT PLANE, I DON’T CARE
    IS IT BECAUSE I’M MISSING YOU
    THAT I’M HAVING DEJA VU

    BOY I TRY TO CATCH MYSELF
    BUT I’M OUTTA CONTROL
    YOUR SEXINESS IS SO APPEALING
    I CAN’T LET IT GO

    YOU KNOW THAT I CAN’T GET OVER YOU
    ‘CAUSE EVERYTHING I SEE IS YOU
    AND I DON’T WANT NO SUBSTITUTE
    BABY I SWEAR IT’S DEJA VU
    (3X)

    Deja Vu (feat. Jay Z) Credits

    WRITTEN BY BEYONCÉ KNOWLES, RODNEY JERKINS, DELISHA THOMAS, MAKEBA, KELI NICOLE PRICE AND SHAWN CARTER
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/EMI BLACKWOOD MUSIC, INC. (BMI)/23000 MUSIC PUBLISHING (SOCAN/BMI), MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC (BMI), PRICE TAG (SESAC). ADMINISTERED BY INTERNATIONAL MUSIC PUBLISHING (SESAC), EMI APRIL MUSIC, INC. (ASCAP)/CARTER BOYS PUBLISHING

    PRODUCED BY RODNEY “DARKCHILD” JERKINS FOR DARKCHILD.COM AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. ASSISTED BY JON JON

    RECORDED BY JEFF VILLANUEVA AND JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI AND JUN ISHIZEKI AT THE RECORD PLANT, LOS ANGELES, CA
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT, RODNEY JERKINS AND BEYONCÉ KNOWLES AT SONY MUSIC STUDIOS
    ALL MUSIC BY RODNEY “DARKCHILD” JERKINS
    RAP PERFORMED BY JAY-Z
    BASS: JON JON
    HORNS ARRANGED BY RODNEY “DARKCHILD” JERKINS
    HORNS BY RONALD JUDGE, ALLEN “AL GEEZ” ARTHUR AND AARON “GOODY” GOODE

  • RING THE ALARM
    I BEEN THROUGH THIS TOO LONG
    BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM
    WON'T YOU RING THE ALARM
    I BEEN THROUGH THIS TOO LONG
    BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM

    SHE GON' BE ROCKIN' CHINCHILLA COATS
    IF I LET YOU GO
    PENT IN THE HOUSE OFF THE COAST
    IF I LET YOU GO
    SHE GON' TAKE EVERYTHING I OWN
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    SHE GON' ROCK THEM VVS STONES
    IF I LET YOU GO
    COUPED IN THE 'BACH OR THE ROLLS
    IF I LET YOU GO
    SHE GON' PROFIT EVERYTHING I TAUGHT
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    TELL ME HOW SHOULD I FEEL
    WHEN I KNOW WHAT I KNOW
    AND MY FEMALE INTUITION
    TELLING ME YOU A DOG
    PEOPLE TOLD ME 'BOUT THE FLAMES
    I COULDN'T SEE THROUGH THE SMOKE
    WHEN I NEED ANSWERS, ACCUSATIONS
    WHAT YOU MEAN YOU GON’ CHOKE

    YOU CAN'T STAY, YOU GOTTA GO
    AIN'T NO OTHER CHICKS SPENDING YOUR DOUGH
    THIS IS TAKING A TOLL, THE WAY THE STORY UNFOLDS
    NOT THE PICTURE PERFECT MOVIE EVERYONE WOULD'VE SAW

    SHE GON' BE ROCKIN' CHINCHILLA COATS
    IF I LET YOU GO
    PENT IN THE HOUSE OFF THE COAST
    IF I LET YOU GO
    SHE GON' TAKE EVERYTHING I OWN
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    SHE GON' ROCK THEM VVS STONES
    IF I LET YOU GO
    COUPED IN THE 'BACH OR THE ROLLS
    IF I LET YOU GO
    SHE GON' PROFIT EVERYTHING I TAUGHT
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    RING THE ALARM
    I BEEN THROUGH THIS TOO LONG
    BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM
    WON'T YOU RING THE ALARM
    I BEEN THROUGH THIS TOO LONG
    BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM

    TELL ME HOW SHOULD I FEEL
    WHEN YOU MADE ME BELONG
    AND THE THOUGHT OF YOU JUST TOUCHING HER
    IS WHAT I HATE MOST
    I DON'T WANT YOU BUT I WANT IT
    AND I CAN'T LET IT GO
    TO KNOW YOU GIVE IT TO HER LIKE YOU GAVE IT TO ME, COME ON

    HE'S SO ARROGANT AND BOLD (OH)
    SHE GON' LOVE THAT SHIT, I KNOW
    I DONE PUT IN A CALL, TIME TO RING THE ALARM
    'CAUSE YOU AIN'T NEVER SEEN A FIRE LIKE THE ONE I'M-A 'CAUSE

    SHE GON' BE ROCKIN' CHINCHILLA COATS
    IF I LET YOU GO
    PENT IN THE HOUSE OFF THE COAST
    IF I LET YOU GO
    SHE GON' TAKE EVERYTHING I OWN
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    SHE GON' ROCK THEM VVS STONES
    IF I LET YOU GO
    COUPED IN THE 'BACH OR THE ROLLS
    IF I LET YOU GO
    SHE GON' PROFIT EVERYTHING I TAUGHT
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    HOW CAN YOU LOOK AT ME
    AND NOT SEE ALL THE THINGS THAT I KEPT ONLY JUST FOR YOU
    WHY WOULD YOU RISK IT BABY
    IS THAT THE PRICE THAT I PAY
    BUT THIS IS MY SHOW AND I WON'T LET YOU GO
    ALL HAS BEEN PAID FOR, AND IT'S MINE
    HOW COULD YOU LOOK AT ME
    AND NOT SEE ALL THE THINGS (SEE ALL THE THINGS)

    SHE GON' BE ROCKIN' CHINCHILLA COATS
    IF I LET YOU GO
    PENT IN THE HOUSE OFF THE COAST
    IF I LET YOU GO
    SHE GON' TAKE EVERYTHING I OWN
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    SHE GON' ROCK THEM VVS STONES
    IF I LET YOU GO
    COUPED IN THE 'BACH OR THE ROLLS
    IF I LET YOU GO
    SHE GON' PROFIT EVERYTHING I TAUGHT
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    Ring The Alarm Credits

    WRITTEN BY BEYONCÉ KNOWLES, KASSEEM “SWISS BEATZ” DEAN AND SEAN GARRETT
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), UNIVERSAL TUNES, A DIVISION OF SONGS OF UNIVERSAL INC. (SESAC), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI)

    PRODUCED BY SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS, INC., BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND SEAN GARRETT FOR THE PRACTICE TEAM

    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE

  • I WISH I COULD BELIEVE YOU
    THEN I'LL BE ALRIGHT
    BUT NOW EVERYTHING YOU TOLD ME
    REALLY DON'T APPLY
    TO THE WAY I FEEL INSIDE
    LOVING YOU WAS EASY
    ONCE UPON A TIME
    BUT NOW MY SUSPICIONS OF YOU
    HAVE MULTIPLIED
    AND IT'S ALL BECAUSE YOU LIED

    I ONLY GIVE YOU A HARD TIME
    ‘CAUSE I CAN’T GO ON AND PRETEND LIKE
    I HAVEN’T TRIED TO FORGIVE THIS
    BUT I’M MUCH TOO FULL OF RESENTMENT
    JUST CAN'T SEEM TO GET OVER
    THE WAY YOU HURT ME
    DON'T KNOW HOW YOU GAVE ANOTHER
    WHO DIDN'T MEAN A THING, NO
    THE VERY THING YOU GAVE TO ME

    I THOUGHT I COULD FORGIVE YOU
    AND I KNOW YOU'VE CHANGED
    AS MUCH AS I WANNA TRUST YOU
    I KNOW IT AIN'T THE SAME
    AND IT’S ALL BECAUSE YOU LIED

    I ONLY GIVE YOU A HARD TIME
    ‘CAUSE I CAN’T GO ON AND PRETEND LIKE
    I HAVEN’T TRIED TO FORGIVE THIS
    BUT I’M MUCH TOO FULL OF RESENTMENT

    I MAY NEVER UNDERSTAND WHY
    I’M DOING THE BEST THAT I CAN
    I TRIED AND I TRIED TO FORGIVE THIS
    BUT I’M MUCH TOO FULL OF RESENTMENT

    I ALWAYS REMEMBER FEELIN’
    LIKE I WAS NO GOOD
    LIKE I COULDN'T DO IT FOR YOU
    LIKE YOUR MISTRESS COULD
    AND IT’S ALL BECAUSE YOU LIED

    LOVED YOU MORE THAN EVER
    MORE THAN MY OWN LIFE
    THE BEST PART OF ME I GAVE YOU
    IT WAS SACRIFICED
    AND IT'S ALL BECAUSE YOU LIED

    I ONLY GIVE YOU A HARD TIME
    ‘CAUSE I CAN’T GO ON AND PRETEND LIKE
    I TRIED AND I TRIED TO FORGIVE THIS
    BUT I’M MUCH TOO DAMN FULL OF RESENTMENT

    I KNOW SHE WAS ATTRACTIVE
    BUT I WAS HERE FIRST
    BEEN RIDING WITH YOU FOR 6 YEARS
    WHY DID I DESERVE
    TO BE TREATED THIS WAY BY YOU
    I KNOW YOU'RE PROBABLY THINKING
    WHAT'S UP WITH B
    I’VE BEEN CRYING FOR TOO LONG
    WHAT DID YOU DO TO ME
    I USED TO BE SO STRONG
    NOW YOU TOOK MY SOUL
    I’M CRYING
    CAN’T STOP CRYING
    CAN’T STOP CRYING
    YOU COULD’VE TOLD ME
    YOU WASN’T HAPPY
    I KNOW YOU DIDN’T WANT TO HURT ME
    LOOK AT WHAT YOU’VE DONE TO ME NOW
    I GOTTA LOOK AT HER IN HER EYES
    AND SEE SHE’S HAD HALF OF ME
    YOU LIED
    HOW COULD YOU LIE
    YOU LIED

    Resentment Credits

    WRITTEN BY BEYONCÉ KNOWLES, WALTER W. MILLSAP III, CANDICE C. NELSON AND C. MAYFIELD
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), CONJUNCTION MUSIC/EMI APRIL MUSIC, INC. (ASCAP), UNIVERSAL MUSIC CORP. (ASCAP) ON BEHALF OF BOOTLEGGERS STOP (ASCAP)/WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND TODD MAYFIELD PUBLISHING (BMI), ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING (BMI)

    PRODUCED BY WALTER “LIL WALT” MILLSAP III FOR CONJUNCTION PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
    CO-PRODUCED BY CANDICE “G.G” NELSON FOR CONJUNCTION PRODUCTIONS, LLC
    VOCAL PRODUCTION BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    ALL MUSIC BY WALTER “LIL WALT” MILLSAP III AND CANDICE “G.G” NELSON FOR CONJUNCTION PRODUCTIONS, LLC
    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI AND DAVE “D-LO” LOPEZ AND WALTER MILLSAP III AT LAIR STUDIOS, LOS ANGELES, CA
    PRO TOOLS EDITING BY DAVE “D-LO” LOPEZ AND WALTER MILLSAP III AT LAIR STUDIOS, LOS ANGELES, CA
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE
    CONTAINS ELEMENTS OF “THINK” (C. MAYFIELD) WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND TODD MAYFIELD PUBLISHING (BMI). ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING (BMI). ALL RIGHTS RESERVED.

  • LISTEN TO THE SONG HERE IN MY HEART
    A MELODY I START BUT CAN'T COMPLETE

    LISTEN, TO THE SOUND FROM DEEP WITHIN
    IT'S ONLY BEGINNING
    TO FIND RELEASE

    OH, THE TIME HAS COME
    FOR MY DREAMS TO BE HEARD
    THEY WILL NOT BE PUSHED ASIDE AND TURNED
    INTO YOUR OWN
    ALL CAUSE YOU WON'T
    LISTEN

    LISTEN, I AM ALONE AT A CROSSROADS
    I'M NOT AT HOME, IN MY OWN HOME
    AND I'VE TRIED AND TRIED
    TO SAY WHAT'S ON MY MIND
    YOU SHOULD HAVE KNOWN

    OH, NOW I'M DONE BELIEVING YOU
    YOU DON'T KNOW WHAT I'M FEELING
    I'M MORE THAN WHAT YOU MADE OF ME
    I FOLLOWED THE VOICE YOU GAVE TO ME
    BUT NOW I GOTTA FIND MY OWN

    YOU SHOULD HAVE LISTENED
    THERE IS SOMEONE HERE INSIDE
    SOMEONE I'D THOUGHT HAD DIED
    SO LONG AGO

    OH, I'M SCREAMING OUT, AND MY DREAMS WILL BE HEARD
    THEY WILL NOT BE PUSHED ASIDE ON WORDS
    INTO YOUR OWN
    ALL CAUSE YOU WON'T
    LISTEN

    LISTEN, I AM ALONE AT A CROSSROADS
    I'M NOT AT HOME, IN MY OWN HOME
    AND I'VE TRIED AND TRIED
    TO SAY WHAT'S ON MY MIND
    YOU SHOULD HAVE KNOWN

    OH, NOW I'M DONE BELIEVING YOU
    YOU DON'T KNOW WHAT I'M FEELING
    I'M MORE THAN WHAT YOU MADE OF ME
    I FOLLOWED THE VOICE YOU GAVE TO ME
    BUT NOW I GOTTA FIND MY OWN

    I DON'T KNOW WHERE I BELONG
    BUT I'LL BE MOVING ON
    IF YOU DON'T
    IF YOU WON'T

    LISTEN TO THE SONG HERE IN MY HEART
    A MELODY I START
    BUT I WILL COMPLETE

    OH, NOW I'M DONE BELIEVING YOU
    YOU DON'T KNOW WHAT I'M FEELING
    I'M MORE THAN WHAT YOU'VE MADE OF ME
    I FOLLOWED THE VOICE YOU THINK YOU GAVE TO ME
    BUT NOW I GOTTA FIND MY OWN
    MY OWN

    Listen (From the Motion Picture Dream Girls) Credits

    WRITTEN BY BEYONCÉ KNOWLES, HENRY KRIEGER, SCOTT CUTLER AND ANNIE PREVEN
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), MIROKU MUSIC (ASCAP), SCOTTA ROCK MUSIC (ASCAP). ADMIN. BY KOBALT, SHIGSHAG MUSIC (BMI) ADMIN. BY KOBALT, SKG SONGS (ASCAP) AND SONGS OF SKG (BMI)

    PRODUCED BY THE UNDERDOGS AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    ALL VOCALS PRODUCED BY RUDY PEREZ
    SPANISH LYRICS WRITTEN BY RUDY PEREZ
    BACKGROUND VOCALS: JASMIN CRUZ AND RUDY PEREZ
    LEAD VOCAL ENGINEER: ANDRES BERMUDEZ AND JIM CARUANA
    ASSISTED BY ROB KINELSKI, GEOFFREY RICE AND STEVE TOLLE
    RECORDED AT SONY MUSIC STUDIOS, NYC AND THE BEACH HOUSE STUDIOS, MIAMI BEACH, FL
    BACKGROUND VOCAL ENGINEER: ANDRES BERMUDEZ
    ASSISTANT ENGINEER: DAVID LOPEZ
    PRO TOOLS ENGINEER/EDITING: CLAY PERRY
    MIXED BY BRUCE WEEDEN
    MASTERED BY TOM COYNE AT STERLING SOUND, NYC

  • 9 – 4 – 8 – 1
    B'DAY

    MISSION ONE
    I'M-A PUT THIS ON
    WHEN HE SEE ME IN THE DRESS, I'M-A GET ME SOME (HEY)

    MISSION TWO
    GOTTA MAKE THAT CALL
    TELL HIM GET THE BOTTLES POPPIN' WHEN THEY PLAY MY SONG (HEY)

    MISSION THREE
    GOT MY THREE BEST FRIENDS
    LIKE WE DO IT ALL THE TIME, WE GON’ DO IT AGAIN (HEY)

    MISSION FOUR
    GOT THE VINTAGE ROLLS
    DROP A COUPLE HUNDREDS, TELL HIM LEAVE IT AT THE DOOR

    I AIN'T WORRIED DOING ME TONIGHT
    A LITTLE SWEAT AIN'T NEVER HURT NOBODY
    WHILE Y’ALL STANDIN' ON THE WALL
    I'M THE ONE TONIGHT
    GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED
    WANT MY BODY
    WON'T YOU GET ME BODIED
    YOU WANT MY BODY
    WON'T YOU GET ME BODIED (HEY)

    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    WON'T YOU SING MY BODY
    I WANT TO LET IT OUT TONIGHT
    WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

    MISSION FIVE
    SKIP TO THE FRONT OF THE LINE
    LET ME FIX MY HAIR UP 'FORE I GO INSIDE (HEY)

    MISSION SIX
    GOTTA CHECK THESE CHICKS
    'CAUSE YOU KNOW THEY GONE BLOCK WHEN I TAKE THESE FLICKS (HEY)

    MISSION SEVEN
    GOTTA MAKE MY ROUNDS
    GIVEN EYES TO THE GUYS NOW I THINK I FOUND HIM (HEY)
    MISSION EIGHT
    NOW WE CONVERSATIN’
    WE CAN SKIP SMALL TALK, LET'S GET RIGHT TO THE CHASE (HEY)

    I AIN'T WORRIED DOING ME TONIGHT
    A LITTLE SWEAT AIN'T NEVER HURT NOBODY
    WHILE Y’ALL STANDIN' ON THE WALL
    I'M THE ONE TONIGHT
    GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED
    WANT MY BODY
    WON'T YOU GET ME BODIED
    YOU WANT MY BODY
    WON'T YOU GET ME BODIED (HEY)

    YOU SHOULD SEE MY BODY
    I GOTTA KNOW ENOUGH TO KNOW IF YOU CAN GET ME BODIED
    I'M KINDA TIGHT, I'M FEELING RIGHT ENOUGH TO SEE SOMEBODY
    I WANNA LET IT OUT TONIGHT
    WANNA DANCE, WANNA PARTY, WANNA BE MYSELF TONIGHT

    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    WON'T YOU SING MY BODY
    I WANT TO LET IT OUT TONIGHT
    WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

    BABY ALL I WANT IS TO LET IT GO
    AIN'T NO WORRIES, OH
    WE CAN DANCE ALL NIGHT
    GET ME BODIED
    THAT MEANS COME CLOSER TO ME
    WHILE WE GRIND TO THE BEAT
    AND YOUR BODY'S TOUCHING MY BODY
    ALL I NEED IS TO LET IT BE
    AIN'T NO WORRY, NO
    BOY DANCE WITH ME
    FEEL MY BODY
    STOP JUST COME CLOSER TO ME
    WHILE WE GRIND TO THE BEAT
    WITH YOUR BODY TOUCHING MY BODY

    GETTIN’ BODIED
    AIN'T NO SHAME 'CAUSE I GOTTA GET MINE
    I SWING MY HAIR, KICK OFF MY SHOES
    COME HER BOY LET ME WORK ON YOU

    I AIN'T WORRIED DOING ME TONIGHT
    A LITTLE SWEAT AIN'T NEVER HURT NOBODY
    WHILE Y’ALL STANDIN' ON THE WALL
    I'M THE ONE TONIGHT
    GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED, GETTIN’ BODIED
    WANT MY BODY
    WON'T YOU GET ME BODIED
    YOU WANT MY BODY
    WON'T YOU GET ME BODIED (HEY)

    Get Me Bodied Credits

    WRITTEN BY BEYONCÉ KNOWLES, KASSEEM 'SWIZZ BEATZ' DEAN, SEAN GARRETT,
    MAKEBA, ANGELA BEYINCE, SOLANGE KNOWLES
    PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP), UNIVERSAL TUNES, A DIVISION OF
    SONGS OF UNIVERSAL INC. (SESAC), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC
    (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI), MAKEBA YOGA FLAMES MUSIC
    (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC INC. (BMI),
    ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), SOLANGE MWP
    PUBLISHING (ASCAP) ADMINISTERED BY MUSIC WORLD, LLC

    PRODUCED BY SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS, INC., BEYONCÉ KNOWLES
    FOR MUSIC WORLD PRODUCTIONS, INC. AND SEAN GARRETT FOR THE PRACTICE TEAM

    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI
    MIXED BY JASON GOLDSTEIN FOR CLEARWATER ENTERTAINMENT AND SWIZZ BEATZ AT
    SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE

    RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT “LB” DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
    MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
    DIGITAL PREP ENGINEER: COLIN MILLER
    MASTERED BY TOM COYNE AT STERLING SOUND, NYC

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